Yorgos Lanthimos’s Bugonia succeeds largely due to its central performances.
Read MoreJafar Panahi’s brilliant thriller is a personal, seething indictment of the Iranian regime.
Read MoreGeorge More O’Farrell’s The Holly and the Ivy is a perceptive Christmas drama that deserves a place in the Christmas rotation.
Read MoreLike its predecessor, Wicked: For Good is half a movie stretched to feature length.
Read MoreDarren Aronofsky ultimately cannot manage the tone of this black comedy crime film.
Read MoreBen Leonberg’s Good Boy succeeds entirely due to its novel concept and the very good dog at its centre.
Read MoreClint Bentley’s Train Dreams evokes Terrence Malick in style and setting, but is more similar to Bentley and Greg Kwedar’s Sing Sing in terms of approach to character and conflict.
Read MoreIn charting the making of Jean-Luc Godard’s Breathless, Richard Linklater has crafted another easygoing hangout picture.
Read MoreChime is Kiyoshi Kurosawa’s fatalistic cinema in its purest form.
Read MoreThe new film from the director of Cure and Pulse lays bare the predatory nature of internet capitalism.
Read MorePaul Thomas Anderson has produced a rousing, riveting genre picture with One Battle After Another.
Read MoreRay Mendoza and Alex Garland’s Warfare is impressively intense, but never thematically coalesces in the moment.
Read MoreKiyoshi Kurosawa’s 2001 J-horror film predicted the new millennium in terrifying ways.
Read MoreThe Poughkeepsie Tapes is redundant in a media culture saturated with serial killer stories.
Read MoreGhosts of Mars is minor Carpenter, but still an enjoyable riff on Assault on Precinct 13.
Read MoreDanny and Michael Philippou’s follow-up to Talk to Me is a more gruelling, complete film than its predecessor.
Read MoreZacharias Kunuk’s latest Arctic-set adventure film embraces the fantastical elements of myth.
Read MoreZach Cregger’s ambitious new horror movie is another cinematic prank.
Read MoreOlivier Assayas’s Suspended Time is a rarity: a thoughtful look back at the COVID-19 pandemic.
Read MoreSophy Romvari’s feature debut blends autofiction and documentary to devastating effect.
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