From the haunting opening scene to the strange final image, Robert Eggers’ Nosferatu makes us see the old vampire story in a new way.
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James Mangold’s A Complete Unknown captures the enigma of Dylan and proves the appeal of the musical biopic genre.
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Wicked is doomed by the decision to inflate Act 1 into an entire 160-minute film.
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Edward Berger’s Conclave is a lot of fun. Just don’t confuse it for more than a potboiler.
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Yet another meta-legacy sequel, Gladiator II also delivers some of the most rousing action spectacle of recent years.
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Francis Ford Coppola's strange political fable is an absurd, admirable moonshot of a film.
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Tim Burton's Beetlejuice sequel has fun elements, but its frankensteined script doesn't hold together.
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Greg Kwedar's Sing Sing is best when it examines the art of acting, worst when it plays like a conventionally inspirational prison movie.
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M. Night Shyamalan's new thriller starring Josh Hartnett is absurd, stylish, Shyamalanesque fun.
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Ti West’s MaXXXine is a step down from X and Pearl, but still a stylish, giallo-influenced good time.
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Deadpool & Wolverine is a wet dream for fanboys, but a repetitive grind for everyone else.
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The most fun classical Hollywood blockbuster since 2022’s Top Gun: Maverick.
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Like a Midwestern, biker-focused Goodfellas, The Bikeriders is a fun hangout movie, but somewhat unfocused in its narrative ambitions.
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The vulgar, entertaining spirit of Michael Bay is alive and well in this third sequel in the Bad Bays franchise.
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Ryusuke Hamaguchi’s follow-up to Drive My Car is a beguiling nature drama.
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The wonderful digital ape characters and a few peaks of world-building cannot cover up the inessential storytelling.
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Richard Linklater’s Hit Man starring Glen Powell is a hilarious cross between film noir and romantic comedy.
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George Miller returns to the Wasteland of post-apocalyptic Australia with Furiosa: A Mad Max Saga, a direct prequel and satisfying expansion of the world of Mad Max: Fury Road.
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Luca Guadagnino’s Challengers is a fun, sexy good time that showcases star power and style.
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Bertrand Bonello’s The Beast starring Lea Seydoux and George MacKay is a fascinating, messy film that imagines a captivating romance and an intriguing, if not entirely credible, future.
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