David Robert Mitchell’s creature feature is a throwback to PG-13 1980s fare like Gremlins.
Kiyoshi Kurosawa’s The Samurai and the Prisoner is an intelligent mashup of the period drama and the whodunnit.
The new Spider-Man movie succeeds off how its portrait of Spider-Man shares the anxieties of its audience.
Donald Shebib’s late sequel to Goin’ Down the Road is sentimental in all the ways the original film is not.
David Robert Mitchell’s creature feature is a throwback to PG-13 1980s fare like Gremlins.
Kiyoshi Kurosawa’s The Samurai and the Prisoner is an intelligent mashup of the period drama and the whodunnit.
Looking back on the career of a great Canadian comedic actress.
Aren shares his favourite films of the past year, including One Battle After Another, Shifty, and Marty Supreme.
Anton and Aren debate whether William Wyler’s 1939 version of Wuthering Heights is the definitive adaptation of the book.
The brothers discuss how Avatar: Fire and Ash functions as a planetary romance, Cameron’s use of repetition, and the film’s themes and character development.
The new Spider-Man movie succeeds off how its portrait of Spider-Man shares the anxieties of its audience.
Christopher Nolan’s adaptation of Homer’s epic acts as a anti-war companion piece to Oppenheimer.
Donald Shebib’s late sequel to Goin’ Down the Road is sentimental in all the ways the original film is not.