The narrative surrounding its Oscar win and its reputation as a crime flick have come to mask what a remarkable work The Departed is.
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The Brothers dig into Martin Scorsese’s Killers of the Flower Moon, interrogating its structure, length, and point of view.
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Titanic is a gargantuan summation of the breadth and depth of Cameron’s cinematic craftsmanship as well as his thematic obsessions.
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The problem with Adam McKay’s political satire isn’t that it’s not satire, but that it’s toothless satire.
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The Brothers discuss Quentin Tarantino’s latest and its huge cast, historical revisionism, and function as a fairy tale.
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Anders and Aren offer up their picks for the 2016 Academy Awards.
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Anton and Aren table talk Iñárritu's latest, considering his direction, Leo's performance, and the film's storytelling and realism.
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Spectacular artifice.
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The best disaster film ever made.
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Is Shutter Island just a thrilling genre exercise? Or is it rather a powerful reflection on the delusions of Modernity and the trauma of violence?
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