Albert Brooks’s film is an amusing, if ultimately unsatisfying, comedy about what happens after death.
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Sydney Pollack’s Best Picture winner feels like a film of a different age, and is all the better for it.
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The problem with Adam McKay’s political satire isn’t that it’s not satire, but that it’s toothless satire.
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Anders and Aren offer up their predictions and preferences for the 2017 Oscars.
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