David Tedeschi’s new Beatles documentary fails to find anything new to say about the 20th century’s most popular band.
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Kristen Stewart and Katy O’Brian are great in Rose Glass’s erotic neo-noir, but the grab bag of genre elements leaves something to be desired.
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Osgood Perkins’ Longlegs is an inconsistent mishmash of The Silence of the Lambs and Cure.
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This sequel to the surprise Netflix horror hit, The Platform, loses the elegance of its predecessor.
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David Ayers' The Beekeeper is one of the most gloriously dumb movies of recent years.
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Jeremy Saulnier's Rebel Ridge is a return to form and a tense action thriller about crooked cops.
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Jerry Seinfeld's Pop-Tarts farce is a misfire on almost every level.
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The best part of the Road House remake is Jake Gyllenhaal, who makes his bouncer-warrior another one of his dark loner characters.
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Contradiction is the governing thematic and formal design for Bradley Cooper’s Leonard Bernstein biopic.
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Chicken Run: Dawn of the Nugget is decent entertainment, but a significant step down from the original film.
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Although there are plenty of enjoyable Zack Snyder trademarks, the final result is never enough of its own thing.
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The hit Netflix apocalyptic psychological thriller is a movie for our moment.
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The Equalizer 3 blends together a brutal action film and a sentimental Hallmark-style drama about Italian village life.
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Ben Affleck’s Air is an easygoing underdog sports drama without the sports.
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Unknown: Cave of Bones, the Netflix documentary about the Rising Star cave system, is often affecting, but overreaches on some of its scientific claims.
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Shazam! Fury of the Gods is an affable sequel, but it also proves the DCEU has well and truly run out of gas.
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Noah Baumbach’s adaptation of the landmark postmodern novel by Don DeLillo fails to deliver despite the enduring relevance of the novel’s subjects and themes.
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Dwayne Johnson’s DCEU superhero film is a pale imitation of a Zack Snyder film, and proof of why the DCEU is being rebooted.
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Sean Anders’ musical riff on A Christmas Carol starring Will Ferrell and Ryan Reynolds is a hyperactive, amiable, and incoherent bit of Christmas content.
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Romain Gavras’ Athena is an impressive formal achievement, although it never manages to resolve the tensions between its operatic storytelling and its slightly-artificial visual approach.
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