The brothers offer a remembrance of the great Canadian actor who passed away on June 20, 2024.
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Seagrass is ultimately compelling because there are enough moments of artistic expression and perceptive character building to balance the more didactic storytelling.
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Graham Foy’s The Maiden is a remarkable debut feature and the kind of mysterious drama that provokes the same profound reaction as our most vivid, consequential dreams.
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Chander Levack’s I Like Movies is a coming-of-age film that relies on the specificity of its character and setting to compensate for its conventional narrative.
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In the summer of The Matrix David Cronenberg made another virtual reality film that continued his explorations of bodies and technology, challenging our notions of the flesh and machine.
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This is genre fare operating at the top level in terms of both entertainment value and artistic significance.
Anders takes a look at Cronenberg’s enduring science fiction thriller, Scanners: it’s more than just exploding heads.
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Villeneuve channels Lynch and Cronenberg to exceptional results.
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A gripping opening act undone by nonsensical explanations.
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A shallow portrait of a strange man.
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A charming, funny, romantic rom-com. How rare!
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