Unknown: Cave of Bones, the Netflix documentary about the Rising Star cave system, is often affecting, but overreaches on some of its scientific claims.
Read MoreAs far as streaming content goes, Spiderhead isn’t bad, but it asks questions it has no real interest in answering.
Read MoreDepending on your affection for and familiarity with exorcism films, Christopher Alender’s The Old Ways may seem admirably novel or hopelessly rote.
Read MoreAlexandre Aja’s confined-space thriller mines plenty of claustrophobic tension, but ultimately doesn’t trust the strength of its limited premise to hold the viewer’s interest.
Read MoreJoe Wright’s adaptation of the popular bestseller is baffling, cynical trash that wastes a good cast and crew.
Read MoreSimon Stone’s period drama is handsomely-shot and intriguing when it digs into history, but gets sidetracked by unnecessary dramatic complications.
Read MoreThe Social Dilemma is hardly nuanced and its narrative dramatizations are lame, but it makes a compelling argument that social media is harming our culture.
Read MoreExtraction is just as humourless and imperialistic as most modern American action movies, but at least it has good action.
Read MoreAnders and Aren discuss the recent ESPN/Netflix doc on Michael Jordan and the 1997-98 Chicago Bulls, The Last Dance, touching on celebrity culture, documentary narratives, and shared pandemic viewing.
Read MoreA remarkable documentary that gets at the inherent tensions of a globalized economy.
Read MoreCompelling documentation that indulges our schadenfreude, but never becomes insightful commentary.
Read MoreDon’t let the satire misguide you; this is a classical horror film through and through.
Read MoreAlfonso Cuarón’s Roma is a grand and sensitive story that showcases the director’s formal prowess while looking back to the traditions of neorealist cinema.
Read MoreNetflix’s dramatic crime thriller starring Jason Bateman takes the reins from the service’s previous hits, Bloodline and Narcos.
Read MoreNeither as slick and enthralling as Narcos, nor as well-shot or well-acted as Bloodline, Ozark is still surprisingly capable and sometimes excellent. This is solid second-tier TV.
Read MoreAren ranks every episode of seasons one to three of BoJack Horseman.
Read MoreA powerful film, but essentially propaganda.
Read MoreSeason three uses Frank's adversaries to reflect on the relationship between power and morality.
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