Paul Schrader ends his “Man in a Room” trilogy with Master Gardener, which is simultaneously the most challenging and optimistic of the trilogy.
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David Lowery’s adaptation of the Arthurian poem is a strange, bold, and bewitching act of revisionism.
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It Comes at Night is often beautiful and atmospheric and interesting, but it is not scary and it is not exciting.
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The film never attempts to comprehend Bulger's humanity.
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Strong characters and interesting themes, but the film tries to do too much.
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Spectacular artifice.
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