In Dune: Part Two, Denis Villeneuve mirrors narrative and relationship patterns from Dune: Part One in order to amplify the film’s dramatic impact.
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Wonka is more like Paul King’s Paddington movies than either Gene Wilder’s 1971 adaptation or Roald Dahl’s original book.
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The problem with Adam McKay’s political satire isn’t that it’s not satire, but that it’s toothless satire.
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Digging into Denis Villeneuve’s Dune, focusing on its immersive cinematic experience, its role as an adaptation, and its visuals and sound.
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