This personal documentary digs into the problem of legal problem of indivision on the Caribbean island of Guadeloupe.
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The Seoul Guardians is a gripping account of the failed coup in South Korea in December 2024.
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This video essay seeks to paint a damning portrait of AI, but is undone by its haphazard presentation.
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This frenetic documentary charting the construction and impact of the CN Tower is fun Canadian boosterism.
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Unwelcomed provides a haunting vision of the migration of Venezuelans into northern Chile on a macro and micro scale.
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Nayibe Tavares-Abel’s documentary uses personal family history to trace the recent political history of the Dominican Republic.
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Matt Gallagher’s Shamed is an effective expose of Jason Nassr and online vigilantism.
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This documentary on UFO encounters is too scant to satisfy either newbies or true believers.
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The Wasp and the Orchid is an intriguing first-person account of the migration crisis hitting Europe and Africa.
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Fire Tower is a pleasant, instructive film that showcases a unique occupation and the eccentric individuals that pursue it.
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Rising Up at Night has striking footage of the DRC’s capital, Kinshasa, but its editorial approach is muddled.
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Porcelain War is beautiful propaganda, but propaganda nevertheless.
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This well-meaning documentary never justifies its feature length or the specific focus of its narrative.
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Agent of Happiness shows the process behind Bhutan’s Gross National Happiness and interrogates the very notion of what composes a happy life.
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Time Bomb Y2K is an easygoing primer on the Y2K panic composed entirely of archival footage.
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Benoît Bringer’s The Rise of Wagner investigates the history of the Wagner Group and its war crimes committed in Syria, Ukraine, and African Central Republic.
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Martín Benchimol’s The Castle is an eclectic and dryly humorous examination of life in a decaying manor in the Argentine countryside.
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Kathleen Jayme and Asia Youngman’s I’m Just Here for the Riot examines the social consequences of the 2011 Vancouver Stanley Cup Finals riot.
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The Longest Goodbye examines the psychological toll of space travel through the work of NASA’s Dr. Al Holland.
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Kay Lena Ndiaye’s documentary on the CFA franc is handsomely mounted, but lacks specificity and a clear thesis.
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