Greg Kwedar's Sing Sing is best when it examines the art of acting, worst when it plays like a conventionally inspirational prison movie.
Read MoreNia DaCosta’s legacy sequel to Candyman is an ambitious horror movie with a great visual style and score that’s held back by its disappointing ending and reductive themes.
Read MoreA film as ironically distanced, and ultimately, disposable as a Twitter thread.
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