RaMell Ross’s adaptation of the Colson Whitehead novel is a formally radical work of empathy.
Read MoreJesse Eisenberg’s nuanced buddy-travelogue dramedy is carried by Kieran Culkin’s great performance.
Read MoreMel Gibson’s Flight Risk is the definition of a January release: low-ambition, silly, and decently entertaining.
Read MorePascal Plante’s psychological thriller is one of the most disturbing movies of recent years.
Read MoreDen of Thieves 2 is another entertaining riff on classic crime movies and a showcase for Gerard Butler’s relatable grubbiness.
Read MoreThe Mask just might be the sharpest illustration of Jim Carrey’s comedic craft.
Read MoreAren shares his favourite films of the past year, including Dune: Part Two, Juror #2, and Nosferatu.
Read MoreBetter than Part One, but Snyder’s universe still remains intriguing in parts yet never fully convincing.
Read MoreBrady Corbet’s new American epic is ambitious, to be sure, but lacks dramatic rigour.
Read MoreAren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
Read MoreThe Brothers share their favourite prestige films, blockbusters, arthouse movies, and documentaries from the past year.
Read MoreThe return of Wallace and Gromit manages to stay true to the charm that makes the series so beloved, while still offering a gentle critique of our technophilic society.
Read MoreFrom the haunting opening scene to the strange final image, Robert Eggers’ Nosferatu makes us see the old vampire story in a new way.
Read MoreJames Mangold’s A Complete Unknown captures the enigma of Dylan and proves the appeal of the musical biopic genre.
Read MoreAnders looks back at Christopher Nolan’s Interstellar on the film’s 10th Anniversary, noting its masterful mix of science and sentiment.
Read MoreJaume Collet-Serra’s new Netflix thriller is a riff on Die Hard 2 and a genuinely watchable action thriller in a lacklustre streaming environment.
Read MoreThe 2005 film adaptation of C. S. Lewis’s children’s classic is worthwhile Christmas viewing.
Read MoreWicked is doomed by the decision to inflate Act 1 into an entire 160-minute film.
Read MoreClint Eastwood’s courtroom drama is a classical morality play in the vein of 12 Angry Men or Anatomy of a Murder.
Read MoreDavid Tedeschi’s new Beatles documentary fails to find anything new to say about the 20th century’s most popular band.
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