The final film in the Tom Hardy Venom trilogy, The Last Dance lacks the arch tone that made the predecessors so fun.
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William Friedkin’s The French Connection remains one of the all-time classics of the New Hollywood era.
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Reflecting on the career of the iconic star of The French Connection, The Royal Tenenbaums, and Unforgiven.
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Drew Hancock’s thriller blends sci-fi and slasher conventions in amusing, if minor, ways.
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RaMell Ross’s adaptation of the Colson Whitehead novel is a formally radical work of empathy.
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Jesse Eisenberg’s nuanced buddy-travelogue dramedy is carried by Kieran Culkin’s great performance.
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Mel Gibson’s Flight Risk is the definition of a January release: low-ambition, silly, and decently entertaining.
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Pascal Plante’s psychological thriller is one of the most disturbing movies of recent years.
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Den of Thieves 2 is another entertaining riff on classic crime movies and a showcase for Gerard Butler’s relatable grubbiness.
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The Mask just might be the sharpest illustration of Jim Carrey’s comedic craft.
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Aren shares his favourite films of the past year, including Dune: Part Two, Juror #2, and Nosferatu.
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Better than Part One, but Snyder’s universe still remains intriguing in parts yet never fully convincing.
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Brady Corbet’s new American epic is ambitious, to be sure, but lacks dramatic rigour.
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Aren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
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The Brothers share their favourite prestige films, blockbusters, arthouse movies, and documentaries from the past year.
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The return of Wallace and Gromit manages to stay true to the charm that makes the series so beloved, while still offering a gentle critique of our technophilic society.
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From the haunting opening scene to the strange final image, Robert Eggers’ Nosferatu makes us see the old vampire story in a new way.
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James Mangold’s A Complete Unknown captures the enigma of Dylan and proves the appeal of the musical biopic genre.
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Anders looks back at Christopher Nolan’s Interstellar on the film’s 10th Anniversary, noting its masterful mix of science and sentiment.
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Jaume Collet-Serra’s new Netflix thriller is a riff on Die Hard 2 and a genuinely watchable action thriller in a lacklustre streaming environment.
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