Friendship, the new comedy starring Tim Robinson and Paul Rudd seems destined to become a cult classic.
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Unwelcomed provides a haunting vision of the migration of Venezuelans into northern Chile on a macro and micro scale.
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Nayibe Tavares-Abel’s documentary uses personal family history to trace the recent political history of the Dominican Republic.
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Matt Gallagher’s Shamed is an effective expose of Jason Nassr and online vigilantism.
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This documentary on UFO encounters is too scant to satisfy either newbies or true believers.
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Julien Elie’s documentary about a small Texan town taken over by SpaceX is visually remarkable.
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Ryan Coogler’s bid for star-director status delivers an entertaining, powerful concoction of crime, sex, horror, action, and blues music.
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Oliver Stone’s biopic of Jim Morrison reminds us of Val Kilmer’s immense talent.
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Anders and Anton work out why they feel that the Coen brothers’ 2016 Hollywood satire, Hail Caesar! might actually be a great movie to watch on Easter weekend.
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Bong Joon-ho’s science-fiction satire features a great Robert Pattinson performance but misses the mark when it comes to its political commentary.
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Righteous violence is meted out as Jason Statham re-teams with The Beekeeper director David Ayer in this Stallone-penned revenge film.
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John Frankenheimer’s French Connection II is an intriguing drama, even if it’s somewhat superfluous.
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Osgood Perkins’ black comedy The Monkey runs one joke over and over into the ground.
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The final film in the Tom Hardy Venom trilogy, The Last Dance lacks the arch tone that made the predecessors so fun.
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William Friedkin’s The French Connection remains one of the all-time classics of the New Hollywood era.
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Reflecting on the career of the iconic star of The French Connection, The Royal Tenenbaums, and Unforgiven.
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Drew Hancock’s thriller blends sci-fi and slasher conventions in amusing, if minor, ways.
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RaMell Ross’s adaptation of the Colson Whitehead novel is a formally radical work of empathy.
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Jesse Eisenberg’s nuanced buddy-travelogue dramedy is carried by Kieran Culkin’s great performance.
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Mel Gibson’s Flight Risk is the definition of a January release: low-ambition, silly, and decently entertaining.
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