Matt Bettinelli-Olpin and Tyler Gillett’s action horror sequel is a mere reheat.
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Scott Beck and Bryan Woods’ horror thriller weaponizes Hugh Grant’s diabolical charm.
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The History of Concrete is like a feature-length version of an episode of How To with John Wilson.
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Pixar gets tantalizingly close to a true critique of tech with Toy Story 5.
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A fun pirate parody, a smart adaptation, and one of the best Muppet movies.
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Coyote vs. Acme is a funny slapstick comedy, but never lives up to the interest of its own real-life behind-the-scenes story.
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Matt Johnson’s Tony is a wonderful film that avoids the pitfalls of most biopics by focusing on one summer a young Anthony Bourdain spent in Cape Cod.
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Ang Geck Geck Priscilla’s debut feature is an observant drama about childhood.
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Cody Lightning’s Smudge the Blades is more than an Indigenous riff on The Mighty Ducks.
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Derek Cianfrance’s romantic crime dramedy benefits from terrific performances by Channing Tatum and Kirsten Dunst.
Read MoreWhy Sam Raimi’s Spider-Man 2 remains one of the best superhero movies of all time.
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Donald Shebib’s late sequel to Goin’ Down the Road is sentimental in all the ways the original film is not.
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David Robert Mitchell’s creature feature is a throwback to PG-13 1980s fare like Gremlins.
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Kiyoshi Kurosawa’s The Samurai and the Prisoner is an intelligent mashup of the period drama and the whodunnit.
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The new Spider-Man movie succeeds off how its portrait of Spider-Man shares the anxieties of its audience.
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The latest from the Dardenne Brothers is another quietly devastating work of social realism.
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The most controversial movie of the year is stranger—and more interesting—than you might think.
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Kristoffer Borgli’s The Drama is an amusing if slight provocation.
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Christopher Nolan’s adaptation of Homer’s epic acts as a anti-war companion piece to Oppenheimer.
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Richard Fleischer’s 1955 crime picture demonstrates how old B-movies are full of surprises.
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