Anders shares his top films of 2021, including Annette, Licorice Pizza, and The Tragedy of Macbeth.
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Warren Beatty’s political satire, Bulworth, finds new relevance in a post-Trump world.
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Spider-Man: No Way Home is fun as a movie, but troubling as a statement about where Hollywood is headed.
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Anton’s comments on moving pictures in 2021.
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Matt Bettinelli-Olpin and Tyler Gillett’s “requel” of the Scream series doubles down on the meta aspect of the series to entertaining effect.
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Aren shares his favourite television shows of 2021, including How To with John Wilson, Squid Game, and I Think You Should Leave with Tim Robinson.
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Aren shares his favourite films from the past year, including Dune, Can’t Get You Out of My Head, and The Card Counter.
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The Brothers dig into Jane Campion’s Western, examining its depictions of the American West, exploration of masculinity, and the meaning of the title.
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Under Siege may be Steven Seagal’s best movie, but it’d be much better if he wasn’t in it at all.
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Anders Thomas Jensen’s action dramedy starring Mads Mikkelsen handles character drama and emotional growth in surprising and moving ways.
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The Brothers offer their annual list of the past year’s essential films, including prestige films, blockbusters, independent and foreign features, and documentaries.
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Lana Wachowski’s legacy sequel is a meta-investigation of the meaning of the franchise and an idiosyncratic science-fiction romance.
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The problem with Adam McKay’s political satire isn’t that it’s not satire, but that it’s toothless satire.
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The Brothers offer up 12 unconventional picks to watch over the Christmas holidays.
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Home Sweet Home Alone is bad in ways that are revealing of the differences between 1990s family entertainment and that of the 2020s.
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In spite of some compelling aspects, Season 1’s execution impedes its storytelling, world-building, and generally high-quality production value.
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Michael Dowse’s Christmas comedy about the quest for an NES plays like A Christmas Story set in the 1980s.
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Nightmare Alley is a stunning film noir about a marvellously successful bastard and his dreadful comeuppance.
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The Brothers cap off their Zack Snyder Retrospective by offering their individual rankings of his films.
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The Brothers dig into Zack Snyder’s latest film, discussing its high concept, visual style, cast of characters, and relevance to current events.
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