Pablo Larraín’s film starring Kristen Stewart as Princess Diana smartly plays more like a psychological horror film than a tasteful biopic.
Read MoreThe Way Brothers’ raucous film about the Danbury Trashers plays like a sequel to their previous sports documentary, The Battered Bastards of Baseball.
Read More1917 can only seem incredibly real and immersive for generations far removed from the actual horrors of 1914–1918.
Read MoreRodney Ascher’s film on the simulation hypothesis plays more like a religious testament than a documentary primer.
Read MoreDigging into Denis Villeneuve’s Dune, focusing on its immersive cinematic experience, its role as an adaptation, and its visuals and sound.
Read MoreRanking the iconic Universal horror classics, including Frankenstein, Dracula, and The Wolf Man.
Read MoreThe Most Dangerous Game is a layered, atmospheric pre-Code Hollywood horror-adventure.
Read MoreKiyoshi Kurosawa’s horror drama is a quiet film with a haunting effect that’s as disturbing as anything you’ll find in horror cinema.
Read MoreStuart Gordon’s cult classic Lovecraft adaptation starring Jeffrey Combs is a dark comedy of memorable grotesquery.
Read MoreDepending on your affection for and familiarity with exorcism films, Christopher Alender’s The Old Ways may seem admirably novel or hopelessly rote.
Read MoreAndy Serkis’s Venom sequel is a deliriously entertaining, profoundly goofy camp blockbuster.
Read MoreNo Time to Die is pulled in too many directions by the trends and tastes of the moment, displaying a less sure vision of who Bond is in the second decade of the 21st century.
Read MoreLeo Gabriadze’s found-footage horror movie about cyberbullying reinvents the slasher for the digital age.
Read MoreAnton and Anders discuss the influences, themes, and merits of Paul Schrader’s second directorial work.
Read MoreNia DaCosta’s legacy sequel to Candyman is an ambitious horror movie with a great visual style and score that’s held back by its disappointing ending and reductive themes.
Read MoreEva Orner’s documentary about the Australian bushfires of 2019-2020 is a quick-paced and informative, if overly conventional, work that’s best when it lets its anger fuel its storytelling.
Read MoreDanis Goulet’s debut feature is a potent sci-fi allegory for residential schools held back by its generic dystopian worldbuilding.
Read MoreHo Wi Ding’s provocative Taiwanese drama about loneliness and voyeurism clarifies its themes and narrative in startling fashion.
Read MoreDespite its ridiculous title, Edwin’s Vengeance Is Mine, All Others Pay Cash is more sedate arthouse picture than martial arts extravaganza.
Read MoreDavid Lowery’s adaptation of the Arthurian poem is a strange, bold, and bewitching act of revisionism.
Read More