Eva Orner’s documentary about the Australian bushfires of 2019-2020 is a quick-paced and informative, if overly conventional, work that’s best when it lets its anger fuel its storytelling.
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Danis Goulet’s debut feature is a potent sci-fi allegory for residential schools held back by its generic dystopian worldbuilding.
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Ho Wi Ding’s provocative Taiwanese drama about loneliness and voyeurism clarifies its themes and narrative in startling fashion.
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Despite its ridiculous title, Edwin’s Vengeance Is Mine, All Others Pay Cash is more sedate arthouse picture than martial arts extravaganza.
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