M. Night Shyamalan investigates the superhero genre in fascinating yet frustrating ways in Glass.
Read MoreA self-portrait and manifesto that captures the psychological concepts that define David Cronenberg and his work.
Read MoreFrom Atlanta to The Looming Tower and Wild Wild Country, Aren lists the best television programs he watched in 2018.
Read MoreAlfonso Cuarón’s Roma is a grand and sensitive story that showcases the director’s formal prowess while looking back to the traditions of neorealist cinema.
Read MoreAquaman has a genuine sense of scale and grandeur and captures the imaginative possibility of big-budget fantasy.
Read MoreFrom Annihilation to Roma, Burning, and The Rider, Aren lists his top films of 2018.
Read MoreThe Brothers discuss the beloved Christmas classic, compare it to other adaptations of A Christmas Carol, praise Michael Caine’s performance, and explore its formal filmmaking.
Read MoreThe Brothers list their favourite prestige films, blockbusters, international and independent features, and documentaries of the year.
Read MoreCronenberg grafts his favoured themes of body horror and metamorphosis onto the mob genre to stunning effect.
Read MoreThe buddy cop classic is an exceptional action film, but it also hides a serious look at suicide and the need for family in its blockbuster antics.
Read MoreAlfonso Cuarón’s Children of Men may seem like an unlikely Christmas movie, but this dystopian vision gets at the heart of the Christmas story.
Read MoreAnders and Aren talk about The Other Side of the Wind, the “lost” final film from the master, Orson Welles, recently available on Netflix.
Read MoreA History of Violence is one of the best neo-noirs of the 2000s and a perceptive deconstruction of the American hero.
Read MoreIs Netflix’s new epic, Outlaw King, both a good movie and good history? Anton and Aren discuss.
Read MoreWidows is a thrilling crime film, but it also stunningly demonstrates the corruption of modern society.
Read MoreIn Spider, David Cronenberg offers perhaps one of his most sympathetic portraits in this literary adaptation of a tale of schizophrenia featuring a powerful performance from Ralph Fiennes.
Read MoreAnders and Aren discuss Creed II: the latest in the Rocky series is an enjoyable if overstuffed sequel that looks at different father and child relationships while calling back to the old Rocky films.
Read MoreCan You Ever Forgive Me? proves the maxim that all it takes to make a good movie is a compelling story and some good actors in the lead.
Read MoreIn the summer of The Matrix David Cronenberg made another virtual reality film that continued his explorations of bodies and technology, challenging our notions of the flesh and machine.
Read MoreKubrick’s first feature is an intriguing yet flawed allegorical war picture.
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