Ho Wi Ding’s provocative Taiwanese drama about loneliness and voyeurism clarifies its themes and narrative in startling fashion.
Read MoreDespite its ridiculous title, Edwin’s Vengeance Is Mine, All Others Pay Cash is more sedate arthouse picture than martial arts extravaganza.
Read MoreDavid Lowery’s adaptation of the Arthurian poem is a strange, bold, and bewitching act of revisionism.
Read MoreBernard Rose’s modern horror classic is a striking film with a memorable villain and a potent subconscious effect.
Read MoreRodo Sayagues’ follow-up to the 2016 home invasion horror film is a surprisingly effective and nasty sequel.
Read MoreJames Gunn’s The Suicide Squad plays like Guardians of the Galaxy with more violence and swearing.
Read MoreA film as ironically distanced, and ultimately, disposable as a Twitter thread.
Read MoreThe conclusion of Leigh Janiak’s Fear Street trilogy comes undone due to its narrative structure.
Read MoreFear Street Part Two: 1978 is the best film in the trilogy due to its well constructed relationships and emotional storytelling.
Read MoreFear Street Part One: 1994 plays like Stranger Things, but for teen fans of horror movies.
Read MoreIn its best moments, No Sudden Move recalls the easygoing crime plotting of Elmore Leonard.
Read MoreF9 escalates the series into the realm of pure spectacle and melodrama.
Read MoreAlexandre Aja’s confined-space thriller mines plenty of claustrophobic tension, but ultimately doesn’t trust the strength of its limited premise to hold the viewer’s interest.
Read MoreUnhinged is a trashy exploitation flick that uses a bloated and creepy Russell Crowe to fuel its blunt-force thrills.
Read MoreThis rip-off of Point Break still coasts on the fumes of Vin Diesel’s star power 20 years after its release.
Read MoreIda Lupino’s tense film noir anticipates later horror movies in its portrait of uncompromising evil.
Read MoreJoe Wright’s adaptation of the popular bestseller is baffling, cynical trash that wastes a good cast and crew.
Read MoreCarl Franklin’s neo-noir is fast, tense, and quietly revealing about how people are and the way the world works.
Read MoreJohn Daschbach’s documentary about Masamoto Ueda and his ramen restaurant, Bizentei, is a gentle portrait of community.
Read MoreJohn Frankenheimer’s Seconds deconstructs America in the 1960s and exposes the paranoia and anxieties bubbling under the surface of American culture.
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