Leo Gabriadze’s found-footage horror movie about cyberbullying reinvents the slasher for the digital age.
Read MoreAnton and Anders discuss the influences, themes, and merits of Paul Schrader’s second directorial work.
Read MoreNia DaCosta’s legacy sequel to Candyman is an ambitious horror movie with a great visual style and score that’s held back by its disappointing ending and reductive themes.
Read MoreEva Orner’s documentary about the Australian bushfires of 2019-2020 is a quick-paced and informative, if overly conventional, work that’s best when it lets its anger fuel its storytelling.
Read MoreDanis Goulet’s debut feature is a potent sci-fi allegory for residential schools held back by its generic dystopian worldbuilding.
Read MoreHo Wi Ding’s provocative Taiwanese drama about loneliness and voyeurism clarifies its themes and narrative in startling fashion.
Read MoreDespite its ridiculous title, Edwin’s Vengeance Is Mine, All Others Pay Cash is more sedate arthouse picture than martial arts extravaganza.
Read MoreDavid Lowery’s adaptation of the Arthurian poem is a strange, bold, and bewitching act of revisionism.
Read MoreZack Snyder’s Justice League is the best superhero team epic—and the last one we need, at least for a good while.
Read MoreBernard Rose’s modern horror classic is a striking film with a memorable villain and a potent subconscious effect.
Read MoreRodo Sayagues’ follow-up to the 2016 home invasion horror film is a surprisingly effective and nasty sequel.
Read MoreJames Gunn’s The Suicide Squad plays like Guardians of the Galaxy with more violence and swearing.
Read MoreA film as ironically distanced, and ultimately, disposable as a Twitter thread.
Read MoreThe conclusion of Leigh Janiak’s Fear Street trilogy comes undone due to its narrative structure.
Read MoreFear Street Part Two: 1978 is the best film in the trilogy due to its well constructed relationships and emotional storytelling.
Read MoreFear Street Part One: 1994 plays like Stranger Things, but for teen fans of horror movies.
Read MoreIn its best moments, No Sudden Move recalls the easygoing crime plotting of Elmore Leonard.
Read MoreThe opening of Roland Emmerich’s 1996 disaster extravaganza ranks among the most effective blockbuster openings of all time.
Read MoreF9 escalates the series into the realm of pure spectacle and melodrama.
Read MoreZack Snyder’s Batman v Superman: Dawn of Justice is a thematically and visually rich film that takes its place among the best Batman and Superman stories of the last few decades.
Read More