David Bruckner’s Hellraiser reboot is a flattened riff on the tale for a flattened cinematic culture.
Read MoreMorbius is a real superhero movie in the way that airplane food is real food.
Read MoreLast Night in Soho has an incredible premise and many excellent features, which makes it especially disappointing when the film goes off the rails.
Read MoreUsing animation to recreate the subjects’ memories, Eternal Spring considers the hijacking in 2002 of broadcast TV by a group of Falun Gong practitioners in northeastern China.
Joe and Anthony Russo’s Netflix action blockbuster is modestly diverting content, but ultimately pulls it punches.
Read MoreJoel Coen’s The Tragedy of Macbeth is marked by a strong performance by Denzel Washington as well as a preoccupation with its own artifice.
Read MoreAs far as streaming content goes, Spiderhead isn’t bad, but it asks questions it has no real interest in answering.
Read MoreHustle is a movie about an NBA lifer made for lifelong fans of the game.
Read MoreThis naked attempt at content (re)generation is packaged alongside some arch yet soft satire and meta-commentary.
Read MoreWindfall is a minimalist thriller whose modest dramatic tension is thrown off balance by its miscasting.
Read MoreNetflix’s stop-motion anthology film is often chilling, occasionally amusing, and visually intricate.
Read MoreRichard Linklater’s Apollo 10 ½: A Space Age Childhood offers a warm hug of 1960s space age nostalgia.
Read MoreThe new Texas Chainsaw Massacre requel is stylish and short, but it has a dearth of compelling characters and story at its centre.
Read MoreSteven Soderbergh’s new techno-thriller set during the pandemic is timely and stylish, but narratively predictable.
Read MoreAnders Thomas Jensen’s action dramedy starring Mads Mikkelsen handles character drama and emotional growth in surprising and moving ways.
Read MoreThe problem with Adam McKay’s political satire isn’t that it’s not satire, but that it’s toothless satire.
Read MoreHome Sweet Home Alone is bad in ways that are revealing of the differences between 1990s family entertainment and that of the 2020s.
Read MoreMichael Dowse’s Christmas comedy about the quest for an NES plays like A Christmas Story set in the 1980s.
Read MoreThe Way Brothers’ raucous film about the Danbury Trashers plays like a sequel to their previous sports documentary, The Battered Bastards of Baseball.
Read MoreRodney Ascher’s film on the simulation hypothesis plays more like a religious testament than a documentary primer.
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