Fear Street Part Two: 1978 is the best film in the trilogy due to its well constructed relationships and emotional storytelling.
Read MoreFear Street Part One: 1994 plays like Stranger Things, but for teen fans of horror movies.
Read MoreIn its best moments, No Sudden Move recalls the easygoing crime plotting of Elmore Leonard.
Read MoreF9 escalates the series into the realm of pure spectacle and melodrama.
Read MoreAlexandre Aja’s confined-space thriller mines plenty of claustrophobic tension, but ultimately doesn’t trust the strength of its limited premise to hold the viewer’s interest.
Read MoreUnhinged is a trashy exploitation flick that uses a bloated and creepy Russell Crowe to fuel its blunt-force thrills.
Read MoreThis rip-off of Point Break still coasts on the fumes of Vin Diesel’s star power 20 years after its release.
Read MoreIda Lupino’s tense film noir anticipates later horror movies in its portrait of uncompromising evil.
Read MoreJoe Wright’s adaptation of the popular bestseller is baffling, cynical trash that wastes a good cast and crew.
Read MoreCarl Franklin’s neo-noir is fast, tense, and quietly revealing about how people are and the way the world works.
Read MoreJohn Daschbach’s documentary about Masamoto Ueda and his ramen restaurant, Bizentei, is a gentle portrait of community.
Read MoreJohn Frankenheimer’s Seconds deconstructs America in the 1960s and exposes the paranoia and anxieties bubbling under the surface of American culture.
Read MoreFor all its fantasy adventure tropes and CGI animation conventions, Legend of the Guardians: The Owls of Ga’Hoole has all the formal tics and thematic obsessions of a Snyder film.
Read MoreFlorian Zeller’s adaptation of his own stage play is a claustrophobic work of compassion with a great Anthony Hopkins performance.
Read MoreComing 2 America fits Hollywood’s current template for legacy sequels, but its humour is very much a 1980s throwback.
Read MoreZack Snyder’s 300 is a heavy metal fever dream and a spellbinding work of comic book mythmaking.
Read MoreJ Blakeson’s thriller starring Rosamund Pike wastes its appealing hook with muddled satire and contradictory characterizations.
Read MoreSimon West’s action classic leans into every absurdity of 1990s filmmaking, defining its entertainment ethos, without capturing its art.
Read MoreJohn Lee Hancock’s serial killer drama gestures at the hallmarks of prestige cinema, but is mostly a bore.
Read MoreThe third film in The Chronicles of Riddick series goes back to basics in its riff on survival movies and cat-and-mouse thrillers.
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