Florian Zeller’s adaptation of his own stage play is a claustrophobic work of compassion with a great Anthony Hopkins performance.
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The last review in our Cronenberg Retrospective considers his bizarre Gothic Hollywood satire.
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The movie as it remains today is very different than the cultural meme from 1999.
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Sexist, obscenely violent, and thoroughly repugnant.
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Cronenberg indicts Hollywood with gusto and complexity.
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