Simon West’s action classic leans into every absurdity of 1990s filmmaking, defining its entertainment ethos, without capturing its art.
Read MoreThe Last Wave examines how colonialism manifests an eschatological divide that ripples out across the spiritual world.
Read MoreCrimes of the Future is a clear progression of the experimental filmmaking of Stereo and a stepping-stone towards the sexual body horror of Shivers.
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