Louis Leterrier’s Fast X is most distinctly an overlong franchise jumble.
Read More
Graham Foy’s The Maiden is a remarkable debut feature and the kind of mysterious drama that provokes the same profound reaction as our most vivid, consequential dreams.
Read More
Paul Schrader ends his “Man in a Room” trilogy with Master Gardener, which is simultaneously the most challenging and optimistic of the trilogy.
Read More
Matt Johnson’s BlackBerry is a rollicking, self-aware, gutsy good time.
Read More
Adrian Murray’s Retrograde is a subdued micro-indie that’s too limited by its style and approach.
Read More
Makoto Shinkai’s remarkable new anime, Suzume, is defined by striking visuals and a compelling blend of fantasy adventure and contemporary character drama.
Read More
Time Bomb Y2K is an easygoing primer on the Y2K panic composed entirely of archival footage.
Read More
Benoît Bringer’s The Rise of Wagner investigates the history of the Wagner Group and its war crimes committed in Syria, Ukraine, and African Central Republic.
Read More
Martín Benchimol’s The Castle is an eclectic and dryly humorous examination of life in a decaying manor in the Argentine countryside.
Read More
Laura Gabbert’s documentary with food writer Ruth Reichl exposes the precarious state of North America’s food supply.
Read More
Kathleen Jayme and Asia Youngman’s I’m Just Here for the Riot examines the social consequences of the 2011 Vancouver Stanley Cup Finals riot.
Read More
The Longest Goodbye examines the psychological toll of space travel through the work of NASA’s Dr. Al Holland.
Read More
Kay Lena Ndiaye’s documentary on the CFA franc is handsomely mounted, but lacks specificity and a clear thesis.
Read More
Zhang Jialing’s Total Trust is a claustrophobic, challenging portrait of life under the totalizing Chinese surveillance apparatus.
Read More
Ananta Thitanat’s slow cinema documentary on the dismantling of the Scala theatre in Bangkok plays like a non-fiction version of Tsai Ming-liang’s Goodbye, Dragon Inn.
Read More
Steve J. Adams and Sean Horlor’s Satan Wants You presents the origin story of the Satanic Panic as a slick true crime thriller.
Read More
Georges Hannan’s Undertaker for Life! attempts to lift the veil on the world of morticians, but refuses to engage with the visceral discomfort of death.
Read More
Anders and Aren discuss how Dungeons & Dragons: Honor Among Thieves succeeds as light entertainment, as well as a Hollywood comedy and a fantasy film.
Read More
Daniel Goldhaber’s adaptation of the nonfiction book, How to Blow Up a Pipeline, works well as both a taut procedural drama and a work of moral-political questioning.
Read More
John Wick: Chapter 4 is as much endurance test as action epic, but it still delivers the excellent action choreography we expect of the series.
Read More