Clint Eastwood’s Sudden Impact, the fourth Dirty Harry picture, combines the rape-revenge film with the reactionary cop picture to fascinating results.
Read MoreChander Levack’s I Like Movies is a coming-of-age film that relies on the specificity of its character and setting to compensate for its conventional narrative.
Read MoreDavy Chou’s Return to Seoul is an intimate examination of a troubled young woman.
Read MoreBreaking down who will win and who should win for all 24 categories at the 2023 Oscars.
Read MoreAnt-Man and the Wasp: Quantumania may be a departure for the series of films about the shrinking superheroes, but it embraces the all-ages pulp origins of the comics.
Read MoreMr. Smith Goes to Washington is Frank Capra’s great American political folktale.
Read MoreMichael B. Jordan’s Creed III is another examination of what makes a man in a cinematic culture that’s hardly interested in the question.
Read MoreBrandon Cronenberg’s Infinity Pool is a transgressive work of body horror that provides a moral critique of the elite through its shocking content.
Read MoreNoah Baumbach’s adaptation of the landmark postmodern novel by Don DeLillo fails to deliver despite the enduring relevance of the novel’s subjects and themes.
Read MoreThe Gerard Butler-starring Plane is a no-frills action thriller that leans into convention to satisfying results.
Read MoreDwayne Johnson’s DCEU superhero film is a pale imitation of a Zack Snyder film, and proof of why the DCEU is being rebooted.
Read MoreAren reflects on his favourite TV shows of 2022, including Better Call Saul, The Rehearsal, and The Righteous Gemstones.
Read MoreKyle Edward Ball’s low-budget experimental horror film is a dissociative nightmare.
Read MoreDamien Chazelle’s epic tragicomedy, Babylon, is yet another investigation of the personal cost of art and a wildly ambitious, if uneven, ode to silent cinema.
Read MoreHirokazu Kore-eda transforms what sounds like a dour thriller into a heartfelt examination of forgiveness and what constitutes a family.
Read MoreAren shares his favourite films from the past year, including Crimes of the Future, Avatar: The Way of Water, and Decision to Leave.
Read MoreAnders and Aren dig into Adam Curtis’ Russia 1985–1999: TraumaZone, which charts the collapse of the Soviet Union and the stillbirth of Russian democracy.
Read MoreThe Brothers list their essential films of 2022, including prestige pictures, blockbusters, arthouse and international cinema, and documentaries.
Read MoreSean Anders’ musical riff on A Christmas Carol starring Will Ferrell and Ryan Reynolds is a hyperactive, amiable, and incoherent bit of Christmas content.
Read MoreThe Brothers discuss James Cameron’s return with Avatar: The Way of Water. How does the sequel hold up?
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