Jonathan Glazer’s The Zone of Interest is like an art installation about what exists just outside the frame.
Read MoreWonka is more like Paul King’s Paddington movies than either Gene Wilder’s 1971 adaptation or Roald Dahl’s original book.
Read MoreAren shares his favourite films from 2023, including Oppenheimer, The Boy and the Heron, and The Maiden.
Read MoreAlthough there are plenty of enjoyable Zack Snyder trademarks, the final result is never enough of its own thing.
Read MoreThe Brothers share their essential films of 2023, including prestige pictures, blockbusters, arthouse and international cinema, and documentaries.
Read MoreTakashi Yamazaki’s Godzilla Minus One works as a compelling postwar drama as well as an exciting kaiju picture.
Read MoreThe hit Netflix apocalyptic psychological thriller is a movie for our moment.
Read MoreThe Boy and the Heron, Hayao Miyazaki’s latest masterpiece, beautifully poses the question of how do you live in a broken world?
Read MoreJon Favreau’s Elf still remains the 21st-century’s most iconic Christmas classic.
Read MoreAnton makes the case for watching the first Harry Potter movie during Christmas time.
Read MoreThe Equalizer 3 blends together a brutal action film and a sentimental Hallmark-style drama about Italian village life.
Read MoreIrvin Kershner’s Eyes of Laura Mars has the thematic and narrative obsessions of giallo without the style.
Read MoreAnton and Anders debate whether the latest Disney Star Wars TV show is a success or a misfire.
Read MoreThe Holdovers is something of a Christmas miracle: an Alexander Payne movie that doesn’t have contempt for its characters.
Read MoreBen Affleck’s Air is an easygoing underdog sports drama without the sports.
Read More60 years after John F. Kennedy’s assassination, Oliver Stone’s JFK captures how essential conspiracy is to modern life,
Read MoreJustified: City Primeval demonstrates that in 2023 we cannot have a cop show as fast and loose as the original.
Read MoreMichael Curtiz’s Doctor X demonstrates the perverse strangeness of pre-Code horror.
Read MoreGareth Edwards’ The Creator borrows liberally from other, better films, but it’s strikingly relevant in our present moment.
Read MoreThe Brothers discuss Erle C. Kenton’s pre-Code horror adaptation of H. G. Wells’ The Island of Doctor Moreau.
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