Review: The Predator (2018)

Shane Black’s latest entry to the Predator franchise has Black’s trademark humour, but is undone by sloppy narrative structure and preposterous attempts at timeliness.

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Review: The Anderson Tapes (1971)

Sidney Lumet’s 1971 heist thriller starring Sean Connery is diverting genre fun that’s made more interesting through its experimental formal presentation.

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The Righteous Gemstones Captures the Contradictions of American Evangelicalism

Danny McBride’s HBO comedy mocks the excesses of American evangelicalism while capturing the essence of its focus on family and forgiveness.

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