Anton explores the dinosaur franchise, its science fiction themes, and the nature of the reboot.
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Sicario: Day of the Soldado is an unnecessary sequel and a step-down from its predecessor, but it’s still an effective action film and a complex look at the drug war.
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Aren explores the stylistic, narrative, and thematic evolution of David Cronenberg’s filmmaking in his early works.
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Diverting like a childhood game, but also essentially meaningless.
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A modest crime thriller that does just enough with its well-worn genre elements.
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The Brood is Cronenberg’s first masterpiece, a dark and personal tale of family strife and the manifestation of fear and aggression.
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Ignore the faux-transgressive humour. Deadpool 2 is as tired and generic a superhero film as you can get.
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A Quiet Place is a competent sci-fi horror film with a novel premise.
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The brothers discuss Solo and its reception and place in the ongoing Star Wars series.
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While Fast Company is a radical departure for Cronenberg, it’s also a confidently-made and satisfying B-movie about drag racing.
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Interesting but scattered, The Cleaners shows us the hidden workers who monitor all the content people try to post to social media platforms.
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This blend of documentary and fiction about an injured rodeo rider is one of the best American indies of recent years.
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Thanos’s quest for the Infinity Stones comes to the screen in a blockbuster entertainment that challenges the very notion and coherence of considering these as traditional cinematic stories.
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Rabid shows Cronenberg refining and developing his unique style of body-horror in this cult-classic film about a vampiric-epidemic in Montreal.
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Brigsby Bear plays like a smash-up between Be Kind, Rewind and Room, although it’s not half as interesting as that bizarre remix sounds.
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A legitimately good movie in addition to being a funny and clever one.
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Lynne Ramsay's latest is a tedious bore that wastes a great actor and indulges in the worst impulses of art-film storytelling.
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Aren reflects on the passing of Isao Takahata and discusses his immense contributions to animation.
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Shivers proves Cronenberg capable of conjuring conventionally-appealing entertainment that still has the capacity to shock with its imagery and dazzle with its ideas.
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Anders revisits the fandom-splitting film and considers its treatment of the Star Wars myth. Is it actually Rian Johnson's reverent tribute to Lucas's series?
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