Colin and Cameron Cairnes’ Late Night with the Devil has a brilliant stylistic conceit that makes it a compelling take on the found-footage horror subgenre.
Read MoreSeagrass is ultimately compelling because there are enough moments of artistic expression and perceptive character building to balance the more didactic storytelling.
Read MoreWim Wenders’ Perfect Days is a beautiful corrective to the busyness of everyday life.
Read MoreCord Jefferson’s American Fiction strikes a delicate balance between hilarious satire and understated family drama.
Read MoreAtom Egoyan’s Seven Veils is a vital, messy piece of self-expression from the Canadian auteur.
Read MoreWonka is more like Paul King’s Paddington movies than either Gene Wilder’s 1971 adaptation or Roald Dahl’s original book.
Read MoreTakashi Yamazaki’s Godzilla Minus One works as a compelling postwar drama as well as an exciting kaiju picture.
Read MoreThe Boy and the Heron, Hayao Miyazaki’s latest masterpiece, beautifully poses the question of how do you live in a broken world?
Read MoreThe Holdovers is something of a Christmas miracle: an Alexander Payne movie that doesn’t have contempt for its characters.
Read MoreGareth Edwards’ The Creator borrows liberally from other, better films, but it’s strikingly relevant in our present moment.
Read MoreTalk to Me hides some clever commentary on the dissociation of Gen Z in its creepy seance scenario.
Read MoreBarbie is a summer confection that never resolves the contradictions behind its approach.
Read MoreOppenheimer is a biographical epic that is also distinctly a film by Christopher Nolan.
Read MoreMission: Impossible – Dead Reckoning Part One has industry-leading actions sequences, but the structure and length demonstrate the bloat that has infected all of Hollywood.
Read MoreDoes the modern world need Indiana Jones?
Read MoreThe Flash is another Hollywood blockbuster mediocrity and the messy end to the DC Extended Universe.
Read MoreLouis Leterrier’s Fast X is most distinctly an overlong franchise jumble.
Read MoreGraham Foy’s The Maiden is a remarkable debut feature and the kind of mysterious drama that provokes the same profound reaction as our most vivid, consequential dreams.
Read MorePaul Schrader ends his “Man in a Room” trilogy with Master Gardener, which is simultaneously the most challenging and optimistic of the trilogy.
Read MoreMatt Johnson’s BlackBerry is a rollicking, self-aware, gutsy good time.
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