Blog — 3 Brothers Film

Halloween Horror: Halloween (2018)

David Gordon Green revives the Halloween films with this satisfying horror sequel that returns to the original’s strengths.

Reviews, Halloween Horror, The Current: At HomeAnders BergstromOctober 10, 2019Halloween, Halloween Horror, horror, Jamie Lee Curtis, Judy Greer, Michael Myers, John Carpenter, slasher, diegetic reboot, David Gordon GreenComment

Review: American Factory (2019)

A remarkable documentary that gets at the inherent tensions of a globalized economy.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromAugust 30, 2019Netflix, American Factory, Julie Reichert, Steven Bognar, Barack Obama, FuyaoComment

Review: The Great Hack (2019)

The Great Hack is an addictive primer on the Cambridge Analytica scandal, but it avoids delving into the muddier waters of its subject matter.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromAugust 23, 2019The Great Hack, Karim Amer, Jehane Noujaim, Erin Barnett, Cambridge AnalyticaComment

Review: The Highwaymen (2019)

John Lee Hancock’s revisionist take on Bonnie and Clyde leans into Western conventions while flirting with a deeper take on the mythology of American violence.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromAugust 16, 2019The Highwaymen, John Lee Hancock, John Fusco, Kevin Costner, Woody Harrelson, Kathy Bates, John Carroll Lynch, Kim Dickens, Thomas Mann, William Sadler, Bonnie and ClydeComment

Review: Bohemian Rhapsody (2018)

An embarrassingly lazy film on almost every level.

Review: Deadwood: The Movie (2019)

After 13 years, Deadwood finally gets some bittersweet closure.

Review: Galveston (2018)

A textured character piece that could’ve used more noir elements.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromApril 25, 2019Mélanie Laurent, Nic Pizzolatto, Jim Hammett, Ben Foster, Elle Fanning, Lili Reinhart, Adepero Oduye, Robert Aramayo, María Valverde, CK McFarland, Beau Bridges, GalvestonComment

Review: Kati Kati (2016)

This is entertainment that is dramatically engaging, culturally-specific, and aesthetically bold.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromMarch 5, 2019Kati Kati, Mbithi Masya, Mugambi Nthiga, Nyokabi Gethaiga, Elsaphan Njora, Paul Ogola, Peter King MwaniaComment

Review: High Flying Bird (2019)

Soderbergh’s basketball drama is winning combination of form and content.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromFebruary 27, 2019High Flying Bird, Steven Soderbergh, Tarell Alvin McCraney, Andre Holland, Zazie Beetz, Melvin Gregg, Sonja Sohn, Zachary Quinto, Kyle MacLachlan, Bill DukeComment

Review: Fyre (2019)

Compelling documentation that indulges our schadenfreude, but never becomes insightful commentary.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromFebruary 12, 2019Fyre, Fyre Festival, Netflix, Chris SmithComment

Review: Velvet Buzzsaw (2019)

Don’t let the satire misguide you; this is a classical horror film through and through.

Reviews, Aren's Reviews, The Current: At HomeAren BergstromFebruary 7, 2019Velvet Buzzsaw, Dan Gilroy, Jake Gyllenhaal, Rene Russo, Toni Collette, Zawe Ashton, Tom Sturridge, Natalia Dyer, Daveed Diggs, Billy Magnussen, John Malkovich, NetflixComment

Review: Roma (2018)

Alfonso Cuarón’s Roma is a grand and sensitive story that showcases the director’s formal prowess while looking back to the traditions of neorealist cinema.

Reviews, The Current: At HomeAnders BergstromJanuary 11, 2019Roma, Alfonso Cuaron, Mexico, neorealism, black and white, NetflixComment

Review: The Ballad of Buster Scruggs (2018)

The Ballad of Buster Scruggs is bleak and darkly funny Western anthology from the Coen Brothers, but doesn’t quite add up to more than the sum of its parts.