John Lee Hancock’s revisionist take on Bonnie and Clyde leans into Western conventions while flirting with a deeper take on the mythology of American violence.
Read MoreAn embarrassingly lazy film on almost every level.
Read MoreAfter 13 years, Deadwood finally gets some bittersweet closure.
Read MoreA textured character piece that could’ve used more noir elements.
Read MoreThis is entertainment that is dramatically engaging, culturally-specific, and aesthetically bold.
Read MoreSoderbergh’s basketball drama is winning combination of form and content.
Read MoreCompelling documentation that indulges our schadenfreude, but never becomes insightful commentary.
Read MoreDon’t let the satire misguide you; this is a classical horror film through and through.
Read MoreAlfonso Cuarón’s Roma is a grand and sensitive story that showcases the director’s formal prowess while looking back to the traditions of neorealist cinema.
Read MoreThe Ballad of Buster Scruggs is bleak and darkly funny Western anthology from the Coen Brothers, but doesn’t quite add up to more than the sum of its parts.
Read MoreA modest crime thriller that does just enough with its well-worn genre elements.
Read MoreBrigsby Bear plays like a smash-up between Be Kind, Rewind and Room, although it’s not half as interesting as that bizarre remix sounds.
Read MoreSplendid parts, but mostly conventional, with one egregious miscalculation.
Read MoreIt Comes at Night is often beautiful and atmospheric and interesting, but it is not scary and it is not exciting.
Read MoreDisgusting, ungainly, and offensive to every shred of decency a person may have. But also extremely funny.
Read MoreFaces Places is a moving film and worth celebrating, if only for the fact that at almost-90, Agnès Varda hasn't slowed down.
Read MoreTrain to Busan thrills with confined railcar suspense, large-scale disaster action, and effective social commentary.
Read MoreThe Cloverfield Paradox has no meaningful reason to exist beyond providing tenuous connections to the two other films in the franchise.
Read MoreGuardians of the Galaxy Vol. 2 is as shamelessly manipulative and formulaic as a Hallmark picture, but at least those films are self-consistent.
Read MoreWheelman is the sort of honest B-movie entertainment that Netflix ought to be funding more often.
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