Like a Midwestern, biker-focused Goodfellas, The Bikeriders is a fun hangout movie, but somewhat unfocused in its narrative ambitions.
Read MoreThe vulgar, entertaining spirit of Michael Bay is alive and well in this third sequel in the Bad Bays franchise.
Read MoreRyusuke Hamaguchi’s follow-up to Drive My Car is a beguiling nature drama.
Read MoreStuart Cooper’s Overlord is a seamless blend of fact and fiction and one of the definitive World War II movies.
Read MoreRichard Linklater’s Hit Man starring Glen Powell is a hilarious cross between film noir and romantic comedy.
Read MoreLuca Guadagnino’s Challengers is a fun, sexy good time that showcases star power and style.
Read MoreThe Wasp and the Orchid is an intriguing first-person account of the migration crisis hitting Europe and Africa.
Read MoreFire Tower is a pleasant, instructive film that showcases a unique occupation and the eccentric individuals that pursue it.
Read MoreRising Up at Night has striking footage of the DRC’s capital, Kinshasa, but its editorial approach is muddled.
Read MorePorcelain War is beautiful propaganda, but propaganda nevertheless.
Read MoreThis well-meaning documentary never justifies its feature length or the specific focus of its narrative.
Read MoreMade in England: The Films of Powell and Pressburger is an interesting primer on the works of these great directors, as well as an insightful window into the artistic journey of Martin Scorsese.
Read MoreAgent of Happiness shows the process behind Bhutan’s Gross National Happiness and interrogates the very notion of what composes a happy life.
Read MoreBertrand Bonello’s The Beast starring Lea Seydoux and George MacKay is a fascinating, messy film that imagines a captivating romance and an intriguing, if not entirely credible, future.
Read MoreColin and Cameron Cairnes’ Late Night with the Devil has a brilliant stylistic conceit that makes it a compelling take on the found-footage horror subgenre.
Read MoreThe narrative surrounding its Oscar win and its reputation as a crime flick have come to mask what a remarkable work The Departed is.
Read MoreSydney Pollack’s Best Picture winner feels like a film of a different age, and is all the better for it.
Read MoreSeagrass is ultimately compelling because there are enough moments of artistic expression and perceptive character building to balance the more didactic storytelling.
Read MoreOur world is too fragmented and our cinema too convoluted to allow for movies as simply, competently fun as Men in Black.
Read MoreWim Wenders’ Perfect Days is a beautiful corrective to the busyness of everyday life.
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