Colin and Cameron Cairnes’ Late Night with the Devil has a brilliant stylistic conceit that makes it a compelling take on the found-footage horror subgenre.
Read MoreThe narrative surrounding its Oscar win and its reputation as a crime flick have come to mask what a remarkable work The Departed is.
Read MoreSydney Pollack’s Best Picture winner feels like a film of a different age, and is all the better for it.
Read MoreSeagrass is ultimately compelling because there are enough moments of artistic expression and perceptive character building to balance the more didactic storytelling.
Read MoreOur world is too fragmented and our cinema too convoluted to allow for movies as simply, competently fun as Men in Black.
Read MoreWim Wenders’ Perfect Days is a beautiful corrective to the busyness of everyday life.
Read MoreNight Nurse starring Barbara Stanwyck is a reminder of the salacious storytelling of pre-Code Hollywood.
Read MoreCord Jefferson’s American Fiction strikes a delicate balance between hilarious satire and understated family drama.
Read MoreAtom Egoyan’s Seven Veils is a vital, messy piece of self-expression from the Canadian auteur.
Read MoreChicken Run: Dawn of the Nugget is decent entertainment, but a significant step down from the original film.
Read MoreTakashi Yamazaki’s Godzilla Minus One works as a compelling postwar drama as well as an exciting kaiju picture.
Read MoreThe Boy and the Heron, Hayao Miyazaki’s latest masterpiece, beautifully poses the question of how do you live in a broken world?
Read MoreJon Favreau’s Elf still remains the 21st-century’s most iconic Christmas classic.
Read MoreThe Equalizer 3 blends together a brutal action film and a sentimental Hallmark-style drama about Italian village life.
Read MoreIrvin Kershner’s Eyes of Laura Mars has the thematic and narrative obsessions of giallo without the style.
Read MoreThe Holdovers is something of a Christmas miracle: an Alexander Payne movie that doesn’t have contempt for its characters.
Read MoreBen Affleck’s Air is an easygoing underdog sports drama without the sports.
Read MoreMichael Curtiz’s Doctor X demonstrates the perverse strangeness of pre-Code horror.
Read MoreGareth Edwards’ The Creator borrows liberally from other, better films, but it’s strikingly relevant in our present moment.
Read MoreTod Browning’s Freaks is an icon of pre-Code horror and a great drama about the lives of circus performers.
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