For all its fantasy adventure tropes and CGI animation conventions, Legend of the Guardians: The Owls of Ga’Hoole has all the formal tics and thematic obsessions of a Snyder film.
Read MoreFlorian Zeller’s adaptation of his own stage play is a claustrophobic work of compassion with a great Anthony Hopkins performance.
Read MoreComing 2 America fits Hollywood’s current template for legacy sequels, but its humour is very much a 1980s throwback.
Read MoreZack Snyder’s 300 is a heavy metal fever dream and a spellbinding work of comic book mythmaking.
Read MoreJ Blakeson’s thriller starring Rosamund Pike wastes its appealing hook with muddled satire and contradictory characterizations.
Read MoreSimon West’s action classic leans into every absurdity of 1990s filmmaking, defining its entertainment ethos, without capturing its art.
Read MoreJohn Lee Hancock’s serial killer drama gestures at the hallmarks of prestige cinema, but is mostly a bore.
Read MoreThe third film in The Chronicles of Riddick series goes back to basics in its riff on survival movies and cat-and-mouse thrillers.
Read MoreThe sequel to Pitch Black takes a bizarre left turn into space opera, resulting in a deeply silly and kind of awesome epic.
Read MoreDavid Twohy’s first film about Vin Diesel’s antihero is a B-movie throwback.
Read MoreChristian Gudegast’s 2018 action thriller succeeds by blatantly ripping off Michael Mann’s Heat.
Read MoreSimon Stone’s period drama is handsomely-shot and intriguing when it digs into history, but gets sidetracked by unnecessary dramatic complications.
Read MoreA massive disappointment on almost every level, with an incomprehensible plot, poor action scenes, and a bloated runtime.
Read MoreThe final film in the Small Axe anthology is a moving portrait of childhood and an indictment of a racist education system.
Read MoreThe fourth film in the Small Axe anthology, Alex Wheatle charts the formation of an individual and the awakening of an artist.
Read MoreRed, White and Blue is a compelling portrait of a man at odds with him, his work, and his community.
Read MoreThe second film in the Small Axe anthology plays like a great song, capturing the tension and release of music and romance.
Read MoreThe first film in Steve McQueen’s Small Axe anthology is a moving portrait of community and a stirring courtroom drama.
Read MoreTwenty years later, American Psycho remains a deliriously-funny, criminally-misunderstood masterpiece.
Read MoreThe Nest is a marital nightmare and an excellent sophomore feature from Martha Marcy May Marlene director Sean Durkin.
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