Millennium Actress is a beautiful examination of the relationships between actors and the movies they make, and viewers and the movies they watch.
Read MoreIn 2020, National Treasure is as much a historical artifact as the American landmarks it features in its adventure narrative, but it’s still fun.
Read MoreSatoshi Kon’s debut feature remains one of cinema’s best psychological thrillers and a scathing critique of exploitation in the entertainment industry.
Read MoreAnders and Aren dig into HBO Max’s An American Pickle, examining it as a showcase for Seth Rogen and an investigation of the role of religion in modernity.
Read MoreShane Black’s latest entry to the Predator franchise has Black’s trademark humour, but is undone by sloppy narrative structure and preposterous attempts at timeliness.
Read MoreExtraction is just as humourless and imperialistic as most modern American action movies, but at least it has good action.
Read MoreThe fight scenes are as impressive as ever, but the story crumbles under the weight of its propaganda messaging.
Read MoreThe Last Wave examines how colonialism manifests an eschatological divide that ripples out across the spiritual world.
Read MoreJohn Sturges’ Western plays like a minor variation of The Treasure of the Sierra Madre (1948).
Read MoreCory Finley’s Bad Education contains a great Hugh Jackman performance and gets at the heart of bad people who think they’re doing good.
Read MoreJosh Trank’s comeback is a deeply messy deconstruction of Al Capone, featuring a bizarre Tom Hardy as the dying gangster.
Read MoreAn incredibly relevant doc about the Hong Kong protests.
Read MoreTwenty years later, David Gordon Green’s debut feature George Washington remains a beautiful cinematic memory.
Read MoreTremors’ status as cult classic and staple of cable TV is a result of its sturdy filmmaking and fun vibe.
Read MoreAnders and Anton discuss the new Spike Lee Vietnam War film, Da 5 Bloods, and how it fits into Lee’s on filmography, the Black Lives Matter movement, and the legacy of American imperialism in Southeast Asia.
Read MoreHumphrey Bogart’s final film is a bruising noir and a chance to watch the titan of Old Hollywood spar with Rod Steiger, another acting icon.
Read MoreAnders and Aren reflect on the passing on Ian Holm, who brought a complexity and professionalism to beloved roles in The Lord of the Rings and Alien.
Read MoreMuch like a modern version of Ozu’s Tokyo Story (1953), Yi Yi is a lovely exploration of the generational dynamics of a single family.
Read MoreAnton and Aren take an extended look back at Steven Soderbergh’s Contagion and consider its narrative structure, filmmaking style, and whether it’s now a modern classic in light of COVID-19.
Read MoreAlmost 20 years after its release, Memento remains a stunning encapsulation of Christopher Nolan’s obsessions as a director, and one of the very best neo-noir films.
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