Three Billboards Outside Ebbing, Missouri is funny and thoughtful with moments of arresting pathos, but it's also a little confounding.
Read MoreWheelman is the sort of honest B-movie entertainment that Netflix ought to be funding more often.
Read MoreAtomic Blonde is an obvious, cliché and, most sadly, boring spy action film cobbled together from secondhand tropes and pop culture references.
Read MoreJustice League is merely good, while aspects of Batman v Superman: Dawn of Justice and the presence of both Whedon and Snyder suggest that it could’ve been great.
Read MoreThere’s no good reason for 11/8/16 to exist in this moment, beyond our obsessive need to relive past trauma with no desire to learn from it.
Read MorePatrick McHale's series captures the moral storytelling and darkness of early-modern fairy tales, even as it contains modern sensibilities in humour and character.
Read MoreFeaturing various techniques of defamiliarization, Hacksaw Ridge is war film that is both conventional and original, and, ultimately, deeply affecting.
Read MoreNeither as slick and enthralling as Narcos, nor as well-shot or well-acted as Bloodline, Ozark is still surprisingly capable and sometimes excellent. This is solid second-tier TV.
Read MoreThere’s no better way to describe The Mission than as an exceptional jazz riff.
Read MoreAs many films try to do but fail, it shows the man in the monster.
Read MoreThis third Halloween film is worth a look for its horror thrills and critique of holiday consumerism.
Read MoreA buddy movie, not a monster movie.
Read MorePerhaps the pre-eminent haunted house movie of all-time.
Read MoreThis defence of found-footage horror argues that the frequently-criticized subgenre is both formally daring and psychologically revealing.
Read MoreThe film employs the Christ figure to explore notions of salvation and personhood.
Read MoreA thematically satisfying new chapter of Ridley Scott’s Alien series.
Read MoreThis introductory guide to found footage tells you which films to watch and how to approach the subgenre.
Read MoreAn assaultive exercise in found-footage terror.
Read MoreA staggeringly-coherent allegory with unrelenting emotional intensity.
Read MoreInnovates just enough to rise above its limitations.
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