Davy Chou’s Return to Seoul is an intimate examination of a troubled young woman.
Read MoreMichael B. Jordan’s Creed III is another examination of what makes a man in a cinematic culture that’s hardly interested in the question.
Read MoreBrandon Cronenberg’s Infinity Pool is a transgressive work of body horror that provides a moral critique of the elite through its shocking content.
Read MoreThe Gerard Butler-starring Plane is a no-frills action thriller that leans into convention to satisfying results.
Read MoreDwayne Johnson’s DCEU superhero film is a pale imitation of a Zack Snyder film, and proof of why the DCEU is being rebooted.
Read MoreKyle Edward Ball’s low-budget experimental horror film is a dissociative nightmare.
Read MoreDamien Chazelle’s epic tragicomedy, Babylon, is yet another investigation of the personal cost of art and a wildly ambitious, if uneven, ode to silent cinema.
Read MoreHirokazu Kore-eda transforms what sounds like a dour thriller into a heartfelt examination of forgiveness and what constitutes a family.
Read MoreSean Anders’ musical riff on A Christmas Carol starring Will Ferrell and Ryan Reynolds is a hyperactive, amiable, and incoherent bit of Christmas content.
Read MoreCharlotte Wells’ debut feature, Aftersun, is a cinematic act of recollection and a tribute to a father she never properly understood.
Read MoreJerzy Skolimowski’s EO, a remake-of-sorts of Robert Bresson’s Au Hasard Balthazar, creates a portrait of animal personhood in its tale of a donkey passed between owners in modern Poland.
Read MoreWith Avatar, the biggest film of all time, James Cameron makes a populist blockbuster that works as a cinematic baptism for the viewer.
Read MoreIn Expedition: Bismarck, James Cameron uses the conventions of television historical documentaries to present a portrait of himself as a storyteller and an amateur scientist.
Read MoreJames Cameron’s Terminator 2: Judgment Day is the ur-sequel, the cinematic text that shows what is possible not only in sequel cinematic storytelling, but in the blockbuster movie as a whole.
Read MoreRomain Gavras’ Athena is an impressive formal achievement, although it never manages to resolve the tensions between its operatic storytelling and its slightly-artificial visual approach.
Read MoreJames Cameron might’ve been fired from the production of Piranha II: The Spawning, but the shlocky Jaws ripoff remains instrumental in showing the elements that shaped Cameron as a filmmaker.
Read MoreJames Gray’s Armageddon Time captures the pain and regret of nostalgia as well as its longing and warmth.
Read MoreDavid Bruckner’s Hellraiser reboot is a flattened riff on the tale for a flattened cinematic culture.
Read MoreMorbius is a real superhero movie in the way that airplane food is real food.
Read MoreShinya Tsukamoto’s Tetsuo: The Iron Man is a hallucinogenic fever dream made by a mad man.
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