The Gerard Butler-starring Plane is a no-frills action thriller that leans into convention to satisfying results.
Read MoreDwayne Johnson’s DCEU superhero film is a pale imitation of a Zack Snyder film, and proof of why the DCEU is being rebooted.
Read MoreKyle Edward Ball’s low-budget experimental horror film is a dissociative nightmare.
Read MoreDamien Chazelle’s epic tragicomedy, Babylon, is yet another investigation of the personal cost of art and a wildly ambitious, if uneven, ode to silent cinema.
Read MoreHirokazu Kore-eda transforms what sounds like a dour thriller into a heartfelt examination of forgiveness and what constitutes a family.
Read MoreSean Anders’ musical riff on A Christmas Carol starring Will Ferrell and Ryan Reynolds is a hyperactive, amiable, and incoherent bit of Christmas content.
Read MoreCharlotte Wells’ debut feature, Aftersun, is a cinematic act of recollection and a tribute to a father she never properly understood.
Read MoreJerzy Skolimowski’s EO, a remake-of-sorts of Robert Bresson’s Au Hasard Balthazar, creates a portrait of animal personhood in its tale of a donkey passed between owners in modern Poland.
Read MoreWith Avatar, the biggest film of all time, James Cameron makes a populist blockbuster that works as a cinematic baptism for the viewer.
Read MoreIn Expedition: Bismarck, James Cameron uses the conventions of television historical documentaries to present a portrait of himself as a storyteller and an amateur scientist.
Read MoreJames Cameron’s Terminator 2: Judgment Day is the ur-sequel, the cinematic text that shows what is possible not only in sequel cinematic storytelling, but in the blockbuster movie as a whole.
Read MoreRomain Gavras’ Athena is an impressive formal achievement, although it never manages to resolve the tensions between its operatic storytelling and its slightly-artificial visual approach.
Read MoreJames Cameron might’ve been fired from the production of Piranha II: The Spawning, but the shlocky Jaws ripoff remains instrumental in showing the elements that shaped Cameron as a filmmaker.
Read MoreJames Gray’s Armageddon Time captures the pain and regret of nostalgia as well as its longing and warmth.
Read MoreDavid Bruckner’s Hellraiser reboot is a flattened riff on the tale for a flattened cinematic culture.
Read MoreMorbius is a real superhero movie in the way that airplane food is real food.
Read MoreShinya Tsukamoto’s Tetsuo: The Iron Man is a hallucinogenic fever dream made by a mad man.
Read MoreTi West’s Pearl is a terrific showcase for Mia Goth, as well as clever franchise extension to X from earlier this year.
Read MoreZach Cregger’s trendy new horror movie plays with our expectations of horror in funny, weird, truly bizarre ways.
Read MoreWerner Herzog’s Theater of Thought is as much a detour into his mind and way of thinking as a documentary about the science of the mind.
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