Posts in Aren's Reviews
Satoshi Kon: Perfect Blue (1997)

Satoshi Kon’s debut feature remains one of cinema’s best psychological thrillers and a scathing critique of exploitation in the entertainment industry.

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Review: The Predator (2018)

Shane Black’s latest entry to the Predator franchise has Black’s trademark humour, but is undone by sloppy narrative structure and preposterous attempts at timeliness.

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Review: The Anderson Tapes (1971)

Sidney Lumet’s 1971 heist thriller starring Sean Connery is diverting genre fun that’s made more interesting through its experimental formal presentation.

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