Oliver Stone’s biopic of Jim Morrison reminds us of Val Kilmer’s immense talent.
Read MoreAnders and Anton work out why they feel that the Coen brothers’ 2016 Hollywood satire, Hail Caesar! might actually be a great movie to watch on Easter weekend.
Read MoreBong Joon-ho’s science-fiction satire features a great Robert Pattinson performance but misses the mark when it comes to its political commentary.
Read MoreRighteous violence is meted out as Jason Statham re-teams with The Beekeeper director David Ayer in this Stallone-penned revenge film.
Read MoreJohn Frankenheimer’s French Connection II is an intriguing drama, even if it’s somewhat superfluous.
Read MoreOsgood Perkins’ black comedy The Monkey runs one joke over and over into the ground.
Read MoreThe final film in the Tom Hardy Venom trilogy, The Last Dance lacks the arch tone that made the predecessors so fun.
Read MoreWilliam Friedkin’s The French Connection remains one of the all-time classics of the New Hollywood era.
Read MoreReflecting on the career of the iconic star of The French Connection, The Royal Tenenbaums, and Unforgiven.
Read MoreDrew Hancock’s thriller blends sci-fi and slasher conventions in amusing, if minor, ways.
Read MoreRaMell Ross’s adaptation of the Colson Whitehead novel is a formally radical work of empathy.
Read MoreJesse Eisenberg’s nuanced buddy-travelogue dramedy is carried by Kieran Culkin’s great performance.
Read MoreMel Gibson’s Flight Risk is the definition of a January release: low-ambition, silly, and decently entertaining.
Read MorePascal Plante’s psychological thriller is one of the most disturbing movies of recent years.
Read MoreDen of Thieves 2 is another entertaining riff on classic crime movies and a showcase for Gerard Butler’s relatable grubbiness.
Read MoreThe Mask just might be the sharpest illustration of Jim Carrey’s comedic craft.
Read MoreAren shares his favourite films of the past year, including Dune: Part Two, Juror #2, and Nosferatu.
Read MoreBetter than Part One, but Snyder’s universe still remains intriguing in parts yet never fully convincing.
Read MoreBrady Corbet’s new American epic is ambitious, to be sure, but lacks dramatic rigour.
Read MoreAren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
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