The Nest is a marital nightmare and an excellent sophomore feature from Martha Marcy May Marlene director Sean Durkin.
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Andrew Patterson’s debut feature is an impressive indie science-fiction drama with a noteworthy approach to visuals and setting.
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Asif Kapadia charts the heroic, tragic life of the late Diego Maradona in this stunning documentary made entirely of archival footage.
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American Utopia has been billed a successor to the Talking Heads’ masterful Stop Making Sense, but while the music is good as always, this show doesn’t quite live up to its promise.
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Director Michael Almereyda confronts the notion of objective biography head-on in his off-kilter biopic of Nikola Tesla, starring Ethan Hawke.
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Revisiting Crouching Tiger, Hidden Dragon on its 20th anniversary confirms this moving, wuxia epic as one of the great international films of all-time.
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Aaron Sorkin’s dramatic retelling of the famous show trial distorts history in order to champion blandly-liberal American values.
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Gavin O’Connor’s inspirational sports and addiction drama succeeds on the strength of Ben Affleck’s intimate performance.
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Borat Subsequent Moviefilm is the funniest film of the year and doubles down on the absurdity of 2020.
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Robert Siodmak’s noir classic is a stunning debut for Burt Lancaster and one of the most inventive short story adaptations ever.
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A tribute to the late Sean Connery, remembering his iconic work as James Bond and Dr. Henry Jones Sr. among countless other memorable roles.
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Digging deep into the thematic implications and cultural discourse around Ari Aster’s two works of elevated horror, Hereditary and Midsommar.
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Dark Water is a creepy and water-logged entry in the J-horror genre, but its human drama is what makes it particularly memorable and disturbing.
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Justin Benson and Aaron Scott Moorhead’s slow-burn horror film plays like a low-budget, earnest counterpoint to The Cabin in the Woods.
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Wes Craven’s controversial classic horror film uses unrefined formal techniques and realistic content to unsettle viewers and examine the horrors of bloodlust.
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This documentary by the Chinese artist Ai Weiwei paints a portrait of contemporary China through the lens of the COVID-19 pandemic in Wuhan.
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Featuring horror legend Christopher Lee and plenty of Gothic atmosphere, this tale of witchcraft in a New England town is a spooky though backward-looking treat.
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Smog Town is an illuminating look behind the curtain of Chinese bureaucracy, but would be more effective if it were more compact.
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The New Corporation: The Unfortunately Necessary Sequel shows how the rise of corporate responsibility and weakened political structures have deepened the entwining of our fates with those of the corporation, as both an economic and political agent in the last two decades.
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The Last Ice is a useful primer for anyone wanting to understand the issues at stake in the Arctic.
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