Blog — 3 Brothers Film

Halloween Horror: Murder Party (2007)

A worthwhile debut from the filmmaker behind Blue Ruin and Green Room.

Flash Back, Reviews, Aren's Reviews, Halloween Horror IIAren BergstromOctober 16, 2018Jeremy Saulnier, Chris Sharp, Sandy Barnett, Macon Blair, Paul Goldblatt, William Lacey, Stacy Rock, Murder Party, Halloween HorrorComment

David Cronenberg: Dead Ringers (1988)

Dead Ringers is a profound work of alienation and a beguiling tragedy.

David Cronenberg, Flash Back, Reviews, Aren's ReviewsAren BergstromOctober 12, 2018Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, David Cronenberg, David Cronenberg Retrospective, Norman Snider, Bari Wood, Jack Geasland, TwinsComment

Who Is America? Reveals an America Most People Would Rather Deny

Sacha Baron Cohen’s Showtime series is the most insightful, and confrontational, work of satire that has so far appeared in the Age of Trump.

TV CornerAren BergstromOctober 10, 2018Who Is America?, Sacha Baron Cohen, Showtime, satire, Donald Trump, America, Dr. Nira Cain-N'Degeocello, Billy Wayne Ruddick Jr. PhD, Erran Morad, Gio Monaldo, Rick Sherman, OMGWhizzboyOMG!Comment

Review: BlacKkKlansman (2018)

Spike Lee’s newest joint isn’t just a great entertainment, but a self-aware exploration of double consciousness and white supremacy in America. One of the year’s best films

The Current: In Theatres, ReviewsAnders BergstromOctober 4, 2018BlacKkKlansman, Spike Lee, Adam Driver, John David Washington, Laura Harrier, Topher Grace, African American cinema, Birth of a Nation, white supremacy, Harry Belafonte, police procedural, crime drama, AmericaComment

Halloween Horror: Resident Evil (2002)

Paul W.S. Anderson’s first film in the Resident Evil series remains another shoddy video game adaptation.

Reviews, Flash Back, Aren's Reviews, Halloween Horror IIAren BergstromOctober 3, 2018Resident Evil, Paul W.S. Anderson, Capcom, Milla Jovovich, Michelle Rodriguez, Eric Mabius, James Purefoy, Martin CrewesComment

TIFF18: American Dharma

Anton reviews the great Errol Morris’s insightful documentary interviewing Steve Bannon.

The Festival Circuit, ReviewsAnton BergstromSeptember 26, 2018TIFF, TIFF18, American Dharma, Steve Bannon, Trump, American politics, politics, populism, documentary, interview, Errol MorrisComment

David Cronenberg: The Fly (1986)

The Fly is a perfect fusion of Cronenberg’s esoteric body horror and a more conventional romantic tragedy.

David Cronenberg, Reviews, Flash Back, Aren's ReviewsAren BergstromSeptember 24, 2018Jeff Goldblum, Geena Davis, John Getz, Joy Boushel, Leslie Carlson, George Chuvalo, The Fly, David Cronenberg Retrospective, David Cronenberg, Charles Edward Pogue, George LangelaanComment

TIFF18: Shoplifters

Kore-eda’s Palme d’Or winner is a moving and perceptive drama that further examines themes laid out in Nobody Knows and Like Father, Like Son.

Reviews, The Festival Circuit, Aren's ReviewsAren BergstromSeptember 17, 2018Lily Franky, Sakura Ando, Mayu Matsuoka, Kairi Jo, Miyu Sasaki, Kirin Kiki, Hirokazu Kore-eda, Shoplifters, TIFF18, TIFF, Toronto International Film FestivalComment

TIFF18: High Life

Claire Denis’ confrontational science-fiction film has provocative imagery and an excellent Robert Pattinson performance, but it lacks cohesion and internal logic.

Reviews, The Festival Circuit, Aren's ReviewsAren BergstromSeptember 15, 2018Robert Pattinson, Juliette Binoche, Mia Goth, Lars Edinger, André Benjamin, Agata Buzek, High Life, Claire Denis, Jean-Pol Fargeau, Nick Laird, Geoff Cox Comments

TIFF18: Sunset

Sunset is a masterpiece of historical filmmaking.

Reviews, The Festival Circuit, Aren's ReviewsAren BergstromSeptember 13, 2018Juli Jakab, Vlad Ivanov, Evelin Dobos, Marcin Czarnik, Levente Molnár, Julia Jakubowska, László Nemes, Clara Royer, Matthieu Taponier, Sunset, TIFF18, TIFF, Toronto International Film Festival Comments

David Cronenberg: The Dead Zone (1983)

Cronenberg’s adaptation of Stephen King’s The Dead Zone is one of his more mainstream efforts, but still an enjoyable, melodrama-thriller.

David Cronenberg, ReviewsAnders BergstromSeptember 12, 2018David Cronenberg, Christopher Walken, Martin Sheen, Brooke Adams, Tom Skerritt, Nicholas Campbell, The Dead Zone, horror, Stephen King, adaptation, David Cronenberg RetrospectiveComment

TIFF18: Anthropocene: The Human Epoch

The latest documentary from Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky is full of astounding imagery and damning environmental implications.

Reviews, The Festival Circuit, Aren's ReviewsAren BergstromSeptember 7, 2018Anthropocene: The Human Epoch, Anthropocene, TIFF18, TIFF, Jennifer Baichwal, Nicholas de Pencier, Edward BurtynskyComment

Review: Three Identical Strangers (2018)

Tim Wardle’s documentary pulls the rug out from under the audience while perceptively examining nature vs nurture.

Reviews, The Current: In Theatres, Aren's ReviewsAren BergstromAugust 31, 2018Three Identical Strangers, Tim Wardle, David Kellman, Bobby Shafran, Eddy GallandComment

David Cronenberg: Videodrome (1983)

This is genre fare operating at the top level in terms of both entertainment value and artistic significance.

Review: Eighth Grade (2018)

Bo Burnham’s directorial debut captures essential truths about the awkwardness of adolescence.

Reviews, The Current: In Theatres, Aren's ReviewsAren BergstromAugust 17, 2018Bo Burnham, Elsie Fisher, Josh Hamilton, Emily Robinson, Jake Ryan, Fred Hechinger, Eighth GradeComment

Review: War Dogs (2016)

Todd Phillips mimics the films of Martin Scorsese to get a kick out of bad behaviour without excusing it.

Reviews, Overlooked and Under-Appreciated, Aren's ReviewsAren BergstromAugust 10, 2018Jonah Hill, Miles Teller, Ana de Armas, Bradley Cooper, Kevin Polla, War Dogs, Todd Phillips, Stephen Chin, Jason Smilovic, Arms and the Dudes, Guy Lawson, The HangoverComment

Roundtable: Mission: Impossible – Fallout (2018)

The brothers discuss the latest film in the Mission: Impossible franchise, Fallout, focusing on the series’ impressive durability, the continuity, the stunt work, and Tom Cruise’s appeal as a movie star.