Davy Chou’s Return to Seoul is an intimate examination of a troubled young woman.
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Ant-Man and the Wasp: Quantumania may be a departure for the series of films about the shrinking superheroes, but it embraces the all-ages pulp origins of the comics.
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Michael B. Jordan’s Creed III is another examination of what makes a man in a cinematic culture that’s hardly interested in the question.
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Brandon Cronenberg’s Infinity Pool is a transgressive work of body horror that provides a moral critique of the elite through its shocking content.
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The Gerard Butler-starring Plane is a no-frills action thriller that leans into convention to satisfying results.
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Kyle Edward Ball’s low-budget experimental horror film is a dissociative nightmare.
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Damien Chazelle’s epic tragicomedy, Babylon, is yet another investigation of the personal cost of art and a wildly ambitious, if uneven, ode to silent cinema.
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Hirokazu Kore-eda transforms what sounds like a dour thriller into a heartfelt examination of forgiveness and what constitutes a family.
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Charlotte Wells’ debut feature, Aftersun, is a cinematic act of recollection and a tribute to a father she never properly understood.
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Jerzy Skolimowski’s EO, a remake-of-sorts of Robert Bresson’s Au Hasard Balthazar, creates a portrait of animal personhood in its tale of a donkey passed between owners in modern Poland.
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James Gray’s Armageddon Time captures the pain and regret of nostalgia as well as its longing and warmth.
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Ti West’s Pearl is a terrific showcase for Mia Goth, as well as clever franchise extension to X from earlier this year.
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Zach Cregger’s trendy new horror movie plays with our expectations of horror in funny, weird, truly bizarre ways.
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Baltasar Kormákur’s Beast is effective late summer B-movie entertainment with a great Idris Elba at its centre.
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Halina Reijn’s horror comedy/satire is as vapid and repetitive as the social media feeds that inspired it.
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Brad Pitt showcases his star power in this B-grade action comedy.
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Sara Dosa’s documentary on Katia and Maurice Krafft takes advantage of their remarkable footage to craft a tragic love story.
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Scott Derrickson’s horror film contemplates tangible evil and how divine grace can overcome it.
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Tom Cruise keeps the old-school Hollywood action blockbuster alive with his aerial theatrics in Top Gun: Maverick.
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After eight years, David Cronenberg returns with an entertaining, haunting, deeply-weird picture that casts an entrancing spell with its provocative ideas and imagery.
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