Blog — 3 Brothers Film

Review: Gladiator II (2024)

Yet another meta-legacy sequel, Gladiator II also delivers some of the most rousing action spectacle of recent years.

Reel Asian 2024 Quick Hits: Borrowed Time and Lucky Star

Short reviews for the 2024 Toronto Reel Asian Toronto International Film Festival.

Reviews, The Festival CircuitAren BergstromNovember 21, 2024Borrowed Time, Choy Ji, Wang Yin, Lin Dongping, Eddy Au-Yeung, Pan Jie, Tai Bo, Sunny Sun, Lucky Star, Gillian McKercher, Terry Chen, Olivia Cheng, Conni Miu, Summer Ly, Andrew Phung, John Dylan Louie

Review: Love Lies Bleeding (2024)

Kristen Stewart and Katy O’Brian are great in Rose Glass’s erotic neo-noir, but the grab bag of genre elements leaves something to be desired.

Aren's Reviews, The Current: At Home, ReviewsAren BergstromNovember 14, 2024Love Lies Bleeding, Rose Glass, Weronika Tofilska, Kristen Stewart, Katy O'Brian, Jena Malone, Anna Baryshnikov, Dave Franco, Ed HarrisComment

Review: The Illustrated Man (1969)

Jack Smight’s 1969 adaptation of Ray Bradbury’s short story collection is not an ideal adaptation, but does capture some of surreal power of Bradbury’s work.

Aren's Reviews, Flash Back, ReviewsAren BergstromNovember 7, 2024Jack Smight, Howard B. Kreitsek, Ray Bradbury, Rod Steiger, Claire Bloom, Robert DrivasComment

Halloween Horror: Longlegs (2024)

Osgood Perkins’ Longlegs is an inconsistent mishmash of The Silence of the Lambs and Cure.

Aren's Reviews, Halloween Horror, Reviews, The Current: At HomeAren BergstromOctober 31, 2024Osgood Perkins, Maika Monroe, Nicolas Cage, Blair Underwood, Alicia Witt, Michelle Choi-Lee, Dakota Daulby, Kiernan Shipka, Longlegs, Halloween Horror, horrorComment

Halloween Horror: House on Haunted Hill (1959)

William Castle’s carnivalesque fright house movie is a very fun time.

Halloween Horror, Flash Back, ReviewsAnton BergstromOctober 31, 2024House on Haunted Hill, Vincent Price, William Castle, Robb White, Carol Ohmart, Richard Long, Alan Marshal, Carolyn Craig, Elisha Cook, Julie Mitchum, horror, haunted house, carnival, Ennis HouseComment

Halloween Horror: The Mist (2007)

Frank Darabont’s Stephen King horror adaptation plays like a dry run for The Walking Dead.

Halloween Horror: The Platform 2 (2024)

This sequel to the surprise Netflix horror hit, The Platform, loses the elegance of its predecessor.

Halloween Horror, Aren's Reviews, The Current: At Home, ReviewsAren BergstromOctober 21, 2024The Platform, The Platform 2, Galder Gaztelu-Urrutia, David Desola, Pedro Rivero, Egoitz Moreno, Milena Smit, Hovik Keuchkerian, Natalia Tena, Oscar Jaenada, Antonia San JuanComment

Halloween Horror: The Village (2004)

Shyamalan’s 2004 film has its merits, but revisiting it reveals the muddled philosophy that drives it and robs it of many key thrills.

Halloween Horror, Reviews, Flash BackAnders BergstromOctober 18, 2024M. Night Shyamalan, The Village, Halloween Horror, thriller, allegory, twist ending, Bryce Dallas Howard, Joaquin Phoenix, Adrian Brody, William HurtComment

Halloween Horror: The Faculty

The Faculty is Invasion of the Body Snatchers for the MTV generation.

Review: Megalopolis (2024)

Francis Ford Coppola's strange political fable is an absurd, admirable moonshot of a film.

Review: The Beekeeper (2024)

David Ayers' The Beekeeper is one of the most gloriously dumb movies of recent years.

Aren's Reviews, The Current: At Home, ReviewsAren BergstromOctober 9, 2024The Beekeeper, David Ayer, Kurt Wimmer, Jason Statham, Emmy Raver-Lampman, Josh Hutcherson, Bobby Naderi, Minnie Driver, David Witts, Michael Epp, Taylor James, Jemma Redgrave, Phylicia RashadComment

TIFF24: Oh, Canada

Paul Schrader's Oh, Canada is for true Schrader heads only.

Aren's Reviews, Reviews, The Festival CircuitAren BergstromSeptember 24, 2024Oh Canada, Paul Schrader, Foregone, Russell Banks, Richard Gere, Jacob Elordi, Uma Thurman, Victoria Hill, Michael Imperioli, Penelope Mitchell, Kristine Froseth, Zach ShafferComment

TIFF24: The Piano Lesson

Malcolm Washington's The Piano Lesson relies on the strength of its source material to compensate for some of its ambitious, if uneven, filmmaking choices.