M. Night Shyamalan's new thriller starring Josh Hartnett is absurd, stylish, Shyamalanesque fun.
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Ti West’s MaXXXine is a step down from X and Pearl, but still a stylish, giallo-influenced good time.
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Deadpool & Wolverine is a wet dream for fanboys, but a repetitive grind for everyone else.
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The X-Files movie remains an effective 1990s sci-fi blockbuster, even for viewers who never watched the TV show.
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The most fun classical Hollywood blockbuster since 2022’s Top Gun: Maverick.
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Like a Midwestern, biker-focused Goodfellas, The Bikeriders is a fun hangout movie, but somewhat unfocused in its narrative ambitions.
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Twister illustrates much of what has changed, improved, and been lost in the evolution of Hollywood blockbusters since 1996.
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The vulgar, entertaining spirit of Michael Bay is alive and well in this third sequel in the Bad Bays franchise.
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This ain’t the liquor talking. Cocktail isn’t a bad movie.
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Ryusuke Hamaguchi’s follow-up to Drive My Car is a beguiling nature drama.
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The wonderful digital ape characters and a few peaks of world-building cannot cover up the inessential storytelling.
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Stuart Cooper’s Overlord is a seamless blend of fact and fiction and one of the definitive World War II movies.
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Richard Linklater’s Hit Man starring Glen Powell is a hilarious cross between film noir and romantic comedy.
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George Miller returns to the Wasteland of post-apocalyptic Australia with Furiosa: A Mad Max Saga, a direct prequel and satisfying expansion of the world of Mad Max: Fury Road.
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Luca Guadagnino’s Challengers is a fun, sexy good time that showcases star power and style.
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The Wasp and the Orchid is an intriguing first-person account of the migration crisis hitting Europe and Africa.
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Fire Tower is a pleasant, instructive film that showcases a unique occupation and the eccentric individuals that pursue it.
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Rising Up at Night has striking footage of the DRC’s capital, Kinshasa, but its editorial approach is muddled.
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Porcelain War is beautiful propaganda, but propaganda nevertheless.
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This well-meaning documentary never justifies its feature length or the specific focus of its narrative.
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