A buddy movie, not a monster movie.
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Perhaps the pre-eminent haunted house movie of all-time.
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A thematically satisfying new chapter of Ridley Scott’s Alien series.
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An assaultive exercise in found-footage terror.
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A staggeringly-coherent allegory with unrelenting emotional intensity.
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Innovates just enough to rise above its limitations.
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A genuine mega-hit that earns its popularity.
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Too slow-paced and saggy to work effectively as a heist comedy.
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Combines emotional depth with insight on race and culture.
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Let There Be Light is short and always remains engaging, even if it seems to be jumping the gun as pertains to this particular subject matter.
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Schrader’s new film acts as the culmination of his work as a filmmaker and critic.
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About as accessible as a Hong Sang-soo film is likely to get.
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A profound disappointment coming from such talent.
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Pop cinema is rarely so satisfying.
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Passable thriller, but fascinating juncture.
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As much a horror movie as a Civil Rights epic.
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A gorgeous animation with tender emotions.
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Skillful, influential trash.
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The Big Sick is a delightful film that provides laughs, insight, and tears in equal measure.
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A passionate declaration for justice in the here and now.
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