Disgusting, ungainly, and offensive to every shred of decency a person may have. But also extremely funny.
Read MoreEx Machina was a promising debut and a superior work of science-fiction, but Annihilation is on a whole other level.
Read MoreIf you were charmed by the adventures of Kiki and Chihiro and Mei and Satsuki in the films of Studio Ghibli, the adventure of Mary and the cat Tib will delight you.
Read MoreCrimes of the Future is a clear progression of the experimental filmmaking of Stereo and a stepping-stone towards the sexual body horror of Shivers.
Read MoreFaces Places is a moving film and worth celebrating, if only for the fact that at almost-90, Agnès Varda hasn't slowed down.
Read MoreIt never breaks free of the confines of the Marvel Cinematic Universe, but Black Panther is exciting and dramatically-rich in ways few MCU films are.
Read MoreStereo is dramatically boring, but it's an essential prototype of the sort of clinical, art-horror that Cronenberg would become known for.
Read MoreThis is a bizarre film, but one that confronts reality in often-fascinating ways.
Read MoreWith grace and unflinching honesty, The Breadwinner powerfully contemplates the power of stories and the meaning of hardship in the world.
Read MoreThe Cloverfield Paradox has no meaningful reason to exist beyond providing tenuous connections to the two other films in the franchise.
Read MoreAn appropriate wedding of subject matter and style from Roberto Rossellini.
Read MoreKatharine Hepburn and Spencer Tracy remain delightful, but whatever cultural power Adam's Rib once held has been obliterated with time.
Read MorePhantom Thread is a beguiling masterwork from Paul Thomas Anderson, full of psychological and artistic insights and aesthetic delights.
Read MoreThe Shop Around the Corner is an exceptional romantic comedy that captures the intellectual and emotional fencing match that is early romance.
Read MoreGuardians of the Galaxy Vol. 2 is as shamelessly manipulative and formulaic as a Hallmark picture, but at least those films are self-consistent.
Read MoreThis is a work of exceptional sympathy, of one artist bonding with another and transcending his own failings as he explores the failings of another.
Read MoreThree Billboards Outside Ebbing, Missouri is funny and thoughtful with moments of arresting pathos, but it's also a little confounding.
Read MoreWheelman is the sort of honest B-movie entertainment that Netflix ought to be funding more often.
Read MoreJustice League is merely good, while aspects of Batman v Superman: Dawn of Justice and the presence of both Whedon and Snyder suggest that it could’ve been great.
Read MoreThere’s no good reason for 11/8/16 to exist in this moment, beyond our obsessive need to relive past trauma with no desire to learn from it.
Read More