The films of Hayao Miyazaki and Isao Takahata capture profound truths about youth.
Read MoreUndeniably stupid, but still fun and arguably camp.
Read MoreA grand exercise in precise chaos.
Read MoreInteresting from a historical perspective, and McConaughey doesn’t disappoint, but Free State of Jones is a muddled mess of a film.
Read MoreA blinkered vision of human nature and achievement.
Read MoreA reminder of what an adult Hollywood comedy can look like.
Read MoreAnton and Aren discuss the film's animation, themes, and conflicting natures.
Read MoreWorthwhile acts of preservation.
Read MoreThe term “guilty pleasure” is antithetical to film criticism and a healthy film culture.
Read MoreA lacklustre heist picture.
Read MoreThe year’s best thriller and ecstasy for anyone with a penchant for bloody cinema.
Read MoreThe Successor is a beautiful film with thematic meat on its bones.
Read MoreFuture Baby will teach you a thing-or-two about IVF while watching it, but you’ll end up wishing it dug further into the complicated details involved in its subject matter.
Read MoreAs loose and genial as great films get.
Read MoreAn ambitious film that lives in the big, mythic moments.
Read MoreMiles Ahead is not as essential as Bill Pohlad’s Brian Wilson biopic Love & Mercy from last year, but it’s a fair order better and more entertaining than the usual portrait of a brilliant and troubled musician.
Read MoreLike Certified Copy, Like Someone in Love shows that Kiarostami’s cinematic powers are not limited to one language or culture.
Read MoreIs this just another "faith-based" film?
Read MoreSpring, Summer, Fall, Winter…and Spring, Uncle Boonmee Who Can Recall His Past Lives, Running on Karma, and The 36th Chamber of Shaolin explore essential Buddhist concepts.
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