John Lee Hancock’s serial killer drama gestures at the hallmarks of prestige cinema, but is mostly a bore.
Read MoreA massive disappointment on almost every level, with an incomprehensible plot, poor action scenes, and a bloated runtime.
Read MoreThe Nest is a marital nightmare and an excellent sophomore feature from Martha Marcy May Marlene director Sean Durkin.
Read MoreElisabeth Moss and Leigh Whannell craft one of the most entertaining horror movies in years.
Read MoreKen Loach’s latest kitchen sink drama showcases the living nightmare of precarious work.
Read MoreBirds of Prey is another example of the DCEU successfully playing fast and loose with tone and consistency.
Read MoreThe Gentlemen finds Guy Ritchie up to his old, entertaining tricks.
Read MoreRichard Stanley’s adaptation, Color Out of Space, shows how deeply the science fiction horror genre is indebted to Lovecraft.
Read MoreBad Boys For Life jettisons the problematic politics of the franchise, but also loses the stylistic flare that made its predecessors so unique.
Read MoreSam Mendes’s one-shot WWI epic is a stunning technical achievement, but its central gimmick limits its overall effect.
Read MoreMarielle Heller’s film challenges us to become better people much as Fred Rogers’ show did.
Read MorePedro Almodóvar extends grace to those in his life in this beautiful autofiction.
Read MoreDark Fate takes the franchise back to basics.
Read MoreRobert Eggers’ follow-up to The Witch is a hilarious, nightmarish marvel.
Read MoreJames Gray’s Ad Astra is a stunning example of science-fiction worldbuilding, even if its philosophical view of the cosmos is surprisingly reductive.
Read MoreTodd Phillips and Joaquin Phoenix weaponize our familiarity with comic book narratives to paint a portrait of personal evil and social dysfunction.
Read MoreIt Chapter Two is effective and scary if a bit muddled.
Read MoreA gruesome, funny B-movie to end the summer movie season.
Read MoreThe 2019 photorealistic remake of the 1994 classic is pointless nostalgia.
Read MoreAri Aster’s follow-up to Hereditary is formally impressive, but also indulgent and narratively myopic.
Read More