Edgar Wright’s classic “rom zom com” is primarily a triumph of brilliant editing and montage.
Read MoreElisabeth Moss and Leigh Whannell craft one of the most entertaining horror movies in years.
Read MoreKen Loach’s latest kitchen sink drama showcases the living nightmare of precarious work.
Read MoreAlbert Shin’s neo-noir set in Niagara Falls is a perceptive look at Canadian rot.
Read MoreBirds of Prey is another example of the DCEU successfully playing fast and loose with tone and consistency.
Read MoreThe Gentlemen finds Guy Ritchie up to his old, entertaining tricks.
Read MoreBad Boys For Life jettisons the problematic politics of the franchise, but also loses the stylistic flare that made its predecessors so unique.
Read MoreBad Boys II epitomizes Michael Bay in all his trashy glory.
Read MoreMarriage Story is the gentlest film Noah Baumbach has made.
Read MoreSam Mendes’s one-shot WWI epic is a stunning technical achievement, but its central gimmick limits its overall effect.
Read MoreDie Hard is the definitive action film of the 1980s and a quintessential Christmas story about a family coming together.
Read MoreLike an Expanded Universe novel, Solo opens up the Star Wars world in imaginative, if inessential, ways.
Read MoreRian Johnson’s idiosyncratic middle chapter subverts our narrative expectations in order to explore the core of what he thinks Star Wars is all about.
Read MoreMarielle Heller’s film challenges us to become better people much as Fred Rogers’ show did.
Read MoreStar Wars: The Clone Wars explores the development of Anakin Skywalker while laying the groundwork for the popular television series.
Read MoreWith his final film in the Star Wars saga, George Lucas creates a shocking, beautiful tragedy.
Read MorePedro Almodóvar extends grace to those in his life in this beautiful autofiction.
Read MoreDark Fate takes the franchise back to basics.
Read MoreRobert Eggers’ follow-up to The Witch is a hilarious, nightmarish marvel.
Read MoreWes Craven’s The Hills Have Eyes has a grimy atmosphere, nasty deaths, and a simmering subtext of class rage
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